Title |
Price |
GBP |
Media |
Condition |
Label |
How My Heart Sings |
161.09 |
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Other |
Very Good Plus (VG+)/Near Mint (NM or M-) |
Analogue Productions 9473 |
Item Number: 2081180807 323196 |
nm/ex+/ex+, with inner, numbered sticker (0656) on the backside, NO frontsticker [323196]
![](https://s3.amazonaws.com/musicstack/release/m/bbbfd5bb177063550fd98d728d8bafd1.jpg) |
![](https://s3.amazonaws.com/musicstack/release/s/8535ce4e7856a4538fba9d2d5c1865b8.jpg) | | ![](https://s3.amazonaws.com/musicstack/release/s/0a67c420c191212dc6ee0aa0f644803b.jpg) | |
Tracklist
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A1 | How My Heart Sings | 4:56 | A2 | I Should Care | 4:53 | B1 | In Your Own Sweet Way | 6:57 | B2 | Walking Up | 4:54 | C1 | Summertime | 5:56 | C2 | 34 Skidoo | 6:19 | D1 | Ev'rything I Love | 4:11 | D2 | Show-Type Tune | 4:23 |
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Identifiers
Matrix / RunoutA side run-out, etched: AJAZ - 9473 - (45) - A₂ KPG@ATM 14496.1 (3) Matrix / RunoutB side run-out, etched: AJAZ - 9473 - (45) - B₂ KPG&SH @ATM 14496.2 (3) Matrix / RunoutC side run-out, etched: AJAZ - 9473 - (45) - C₂ KPG&SH @ATM 14496.3 (3) Matrix / RunoutD side run-out, etched: AJAZ - 9473 - (45) - D₂ KPG 14496.4 (3) Rights SocietyA1, B1, B2, C2, D2: BMI Rights SocietyA2, C1, D1: ASCAP
Credits Bass - Chuck Israels Design [Album Design] - Ken Deardoff Drums - Paul Motian Engineer [Recording Engineer] - Bill Schwartau Lacquer Cut By - Kevin Gray, Steve Hoffman Liner Notes [Inner Flyer] - Bob Blumenthal Mastered By - Kevin Gray, Steve Hoffman Piano, Liner Notes - Bill Evans Producer, Liner Notes [Comments] - Orrin Keepnews
Notes Recorded in New York; May 17, May 29, and June 5, 1962 ℗ & © Licensed from Fantasy, Inc., Berkeley, California
Publishers: A1: Zindars Publishing Co. - BMI A2: Cahn Music / Hanover Music / Stordahl Music - ASCAP B1: Derry Music Co. - BMI B2: TRO-Acorn - BMI C1: Chappell & Co., Inc. / Gershwin Publ. - ASCAP C2: TRO-Acorn - BMI D1: Chappell & Co. - ASCAP D2: TRO-Acorn - BMI
Some copies are numbered with a silver sticker with Analogue Productions/ acousticsounds.com on back Fantasy 45 Series, The Third Set - Top (100) Jazz
[Front b/w sticker] AcousTech Mastering - Mastered at AcousTech by Kevin Gray and Steve Hoffmann
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: US |
Release Date: 2010 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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