| Title |
Price |
GBP |
Media |
Condition |
Label |
| Last Days Of The Century |
6.42 |
|
LP |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Enigma Records (3) D173316 |
| Item Number: 2903138170 2104 |
390564 nm/nm with insert
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Tracklist
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| A1 | Last Days Of The Century | | | A2 | Real And Unreal | | | A3 | King Of Portugal | | | A4 | Red Toupée | | | A5 | Where Are They Now | | | B1 | Bad Reputation | | | B2 | Josephine Baker | | | B3 | License To Steal | | | B4 | Fields Of France | | | B5 | Antarctica | | | B6 | Ghostly Horses Of The Plain | |
|
Barcode and Identifiers
BarcodeString: 018777331616
Rights Society: BMI
Matrix / RunoutRunout A: D1-1-73316-Z1 1-2 SP-AR MASTERDISK RL B-31607-21 △21010 0- [SRC Logo]
Matrix / RunoutRunout B: D1-2-73316-Z5 1-2 MASTERDISK SP-AR 0- △21010-X [SRC Logo] B-32151-Z5
Credits
Art Direction - Patrick Pending
Artwork [Art Assistant] - Dave Lomeli
Backing Vocals - Carroll Sue Hill, Robin Lamble, Tori Amos
Bass - Tim Landers
Design [Design Consultant] - Thane Tierney
Drums - Vinnie Colaiuta
Electric Guitar - Steve Farris, Tim Renwick
Electric Guitar, Acoustic Guitar - Steve Recker
Flute - Dave Camp
Illustration [Cover] - AWest
Keyboards - Kim Bullard, Peter Wood
Lyrics By [Word] - Al Stewart (Tracks: A1 to B5)
Mastered By - Bob Ludwig
Mixed By [Assistant In Grey Room] - Jim Dineen
Mixed By [Grey Room] - Csaba Petocz
Music By - Al Stewart
Percussion - Steve Chapman
Photography By - Joel Levinson
Producer - Joe Chiccarelli
Producer [Associate], Guitar [Electric], Acoustic Guitar, Keyboards, Accordion - Peter White
Recorded By [Assistant In Capitol Studio] - Larry Walsh, Peter Doell
Recorded By [Assistant In Ground Control] - Chris Fuhrman, Claudio Ordenes
Recorded By [Capitol Studio] - Csaba Petocz
Recorded By [Ground Control] - Angus Davidson, Dan Marnien
Saxophone - Dave Camp, Phil Kenzie
Technician [Drum] - Jeff Chonis
Trumpet - Lee Thornburg
Notes
[l=Allied Record Company] pressing with metalwork from [l=Specialty Records Corporation], denoted by "SP-AR" etch in runouts.
Recorded at Capitol Studio B, Hollywood, California
Additional recording at Ground Control, Santa Monica California
Mixed at Grey Room Studio, Los Angeles, California
Mastered at Masterdisc, New York.
(P)&(C)1988 Enigma Records.
There is a sticker on the front:
Timeless passages for these modern times featuring
"King Of Portugal"
"Last Days Of The Century"
"License To Steal"
Produced by Joe Chiccarelli
Album D1-73316
Cassette D4-73316
Compact Disc D2-73116
Digital Audio Tape 7 73316-9
Sticker Printed In USA
Tracks A1, A3 to B2, B5: Frabjous Music / Lobster Music (BMI)
Tracks A2, B3, B4: Frabjous Music (BMI)
Track B6: Frabjous Music / Home Recker Music (BMI)
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: US |
| Release Date: 1988 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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