| Title |
Price |
USD |
Media |
Condition |
Label |
| Anastacia |
3.21 |
|
CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Epic EPC5134712 |
| Item Number: 2691419890 2104 |
380240 nm/nm
 |
|
Tracklist
|
| 1 | Seasons Change | 4:17 | | 2 | Left Outside Alone | 4:17 | | 3 | Time | 3:33 | | 4 | Sick And Tired | 3:30 | | 5 | Heavy On My Heart | 4:26 | | 6 | I Do | 3:04 | | 7 | Welcome To My Truth | 4:03 | | 8 | Pretty Little Dum Dum | 4:37 | | 9 | Sexy Single | 3:52 | | 10 | Rearview | 4:12 | | 11 | Where Do I Belong | 3:26 | | 12 | Maybe Today | 5:15 |
|
Barcode and Identifiers
BarcodeScanned, EAN-13: 5099751347125
Barcode: 5 099751 347125
Label Code: LC 00199
Rights Society: SACD SACEM SCDL SDRM
Rights Society: BIEM
Rights Society: ASCAP
Rights Society: BMI
Rights Society: SESAC
Rights Society: PRS
Matrix / RunoutVariant 1: S0100514137-0101 11
Matrix / RunoutVariant 2: S0100514137-0101 11 B23
Matrix / RunoutVariant 3: S0100514137-0101 11 A 11
Matrix / RunoutVariant 4: Sony Music S0100514137-0101 11 A1
Matrix / RunoutVariant 5, 11, 15: Sony Music S0100514137-0101 44 C10
Matrix / RunoutVariant 6: Sony Music S0100514137-0101 21 A10
Matrix / RunoutVariant 7, 17: Sony Music S0100514137-0101 21 A6
Matrix / RunoutVariant 8: Sony Music S0100514137-0101 11 B8
Matrix / RunoutVariant 9: Sony Music S0100514137-0101 11 A8
Matrix / RunoutVariant 10: Sony Music S0100514137-0101 11 B10
Matrix / RunoutVariant 12: Sony Music S0100514137-0101 11 A9
Matrix / RunoutVariant 13: Sony Music S0100514137-0101 21 A8
Matrix / RunoutVariant 14: Sony Music S0100514137-0101 21 A4
Matrix / RunoutVariant 16: Sony Music S0100514137-0101 21 A3
Mastering SID CodeVariant 1 to 4, 6 to 10, 12 to 14, 16, 17: IFPI L551
Mastering SID CodeVariant 5, 11, 15: IFPI L554
Mould SID CodeVariant 1, 2: IFPI 94V4
Mould SID CodeVariant 3, 12: IFPI 944N
Mould SID CodeVariant 4: IFPI 94U2
Mould SID CodeVariant 5, 17: IFPI 948S
Mould SID CodeVariant 6: IFPI 948P
Mould SID CodeVariant 7: IFPI 944S
Mould SID CodeVariant 8: IFPI 943Q
Mould SID CodeVariant 9: IFPI 943N
Mould SID CodeVariant 10: IFPI 942T
Mould SID CodeVariant 11: IFPI 948N
Mould SID CodeVariant 13: IFPI 945A
Mould SID CodeVariant 14: IFPI 945T
Mould SID CodeVariant 15: IFPI 94K8
Mould SID CodeVariant 16: IFPI 947S
Credits
A&R - David Massey
Art Direction, Design - Julian Peploe
Coordinator [A&R] - Evan L
Executive-Producer - Anastacia
Executive-Producer, Management [Artist Management] - Lisa Braudé
Mastered By - Ted Jensen
Other [Hair] - Robert Vetiga
Other [Makeup] - Francesca Tolot, Sharon Gault
Other [Styling] - Ligia Morris
Photography By - Isabel Snyder
Notes
© 2004 Sony Music Entertainment Inc. / ℗ 2004 Sony Music Entertainment Inc.
1 - Universal Music Corp/Poho Productions (ASCAP)/K'Stuff Publishing/Corner Of Clark And Kent Music/EMI Virgin Music, Inc. (ASCAP)
Recorded at Record Plant, O'Henry Studios, Record One, Larrabee East, CA
Mixed at Image Studios, CA
2 - Universal Music Corp/Poho Productions (ASCAP)/EMI Blackwood Music Inc. obo itself and Crypton Music (BMI)/Aerostation Corporation/Universal - MCA Music Publishing a div. of Universal Studios, Inc. (ASCAP)
Recorded at O'Hentry Studios, Record One and Record Plant, CA
Mixed at South Beach Studios, Miami Beach, FL
3, 4 - Universal Music Corp/Poho Productions (ASCAP)/Crypton Music/EMI Blackwood Music, Inc. (BMI)/Aerostation Corporation/Universal - MCA Music Publishing a div. of Universal Studios, Inc. (ASCAP)
Recorded at O'Henry Studios, Larrabee East, Record Plant, Record One, CA
Mixed at South Beach Studios, Miami Beach, FL
5 - Universal Music Corp/Poho Productions (ASCAP)/Sony/ATV Sounds LLC/Turtle Victory Music (SESAC)
Recorded at Record Plant, Record One, and Larrabee East
Mixed at Image Studios
Vocals recorded at Henson Studios
6 - Universal Music Corp/Poho Productions (ASCAP)/K'Stuff Publishing/EMI Music Publishing Ltd./Reverb Music Ltd admin, by Songs Of Universal, Inc/Danny Weissfeld Designee (BMI)
Additional production for W&R Group
Recorded at Cove City Sound Studios, NY, The Hit Factory Criteria, Miami, FL
Mixed at Cove City Sound Studios, NY
7 - Universal Music Corp/Poho Productions (ASCAP)/K'Stuff Publishing (BMI)/WB Music Corp/Dylan Jackson Music (ASCAP)
Recorded at Henson Recording Studios, Los Angeles, CA
Mixed at South Beach Studios, Miami Beach, FL
8 - Universal Music Corp/Poho Productions/Universal-MCA Music Pub a div. of Universal Studio, Inc/Aerostation Corporation (ASCAP)/K'Stuff Publishing (BMI)
Recorded at O'Henry Studios, Record Plant, and records One, CA
Mixed at Image Studios
9 - Universal Music Corp/Poho Productions (ASCAP)/Eligible
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 2004-03-29 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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