Title |
Price |
GBP |
Media |
Condition |
Label |
Everything |
14.45 |
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LP |
Near Mint (NM or M-)/Very Good Plus (VG+) |
Columbia C44056 |
Item Number: 2423783189 2118 |
ex+/nm with inner, drillhole in cover 369026
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Tracklist
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A1 | In Your Room | 3:28 | A2 | Complicated Girl | 3:38 | A3 | Bell Jar | 3:20 | A4 | Something To Believe In | 4:20 | A5 | Eternal Flame | 3:56 | A6 | Be With You | 3:01 | B1 | Glitter Years | 3:39 | B2 | I'll Set You Free | 4:27 | B3 | Watching The Sky | 4:11 | B4 | Some Dreams Come True | 3:25 | B5 | Make A Play For Her Now | 3:45 | B6 | Waiting For You | 3:36 | B7 | Crash And Burn | 2:36 |
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Barcode and Identifiers
Barcode: 0 7464-44056-1 BarcodeScanned: 074644405613 Rights SocietyA1, A5, A6, B4 to B7: ASCAP Rights SocietyA1 to B7: BMI Pressing Plant IDIn runouts: G Matrix / RunoutSide A label: AL 44056 Matrix / RunoutSide B label: BL 44056 Matrix / RunoutRunout side A, variant 1: PAL 44056-1C TML-M G1 B4 Matrix / RunoutRunout side B, variant 1: PBL 44056 1A G1 TML-X B15 Matrix / RunoutRunout side A, variant 2: PAL 44056-1A TML-X G1 A6 Matrix / RunoutRunout side B, variant 2: PBL 44056-1B TML-M G1 A12 Matrix / RunoutRunout side A, variant 3: PAL 44056-1B TML-X G1 B3 Matrix / RunoutRunout side B, variant 3: PBL 44056-1A TML-X G1 A1 Matrix / RunoutRunout side A, variant 4: PAL 44056-1B C G1 TML-X D1 Matrix / RunoutRunout side B, variant 4: PBL 44056 1A D G1 TML-X +2 Matrix / RunoutRunout side A, variant 5: PAL 44056-1A G1 TML-X A10 Matrix / RunoutRunout side B, variant 5: PBL 44056 1A G1 TML-X B7 Matrix / RunoutRunout side A, variant 6: PAL 44056-1A TML-X 7 G1 A5 Matrix / RunoutRunout side B, variant 6: PBL 44056 1A D G1 TML-X C3 Matrix / RunoutRunout side A, variant 7: PAL 44056-1C TML-M G1 A6 Matrix / RunoutRunout side B, variant 7: PBL 44056-1A D G1 TML-X C7 Matrix / RunoutRunout side A, variant 8: PAL 44056-1C TML-M G1 A4 Matrix / RunoutRunout side B, variant 8: PBL 44056-1A G1 TML-X A10 Matrix / RunoutRunout side A, variant 9: PAL 44056-1B E G1 TML-X D5 Matrix / RunoutRunout side B, variant 9: PBL 44056 1A E G1 TML-X G7 Matrix / RunoutRunout side A, variant 10: PAL 44056-1C TML-M E G1 A5 Matrix / RunoutRunout side B, variant 10: PBL 44056 1A A G1 TML-X B10
Credits A&R - Ron Oberman Art Direction - Lane/Donald Artwork - Lesley Schiff Baglama [Saz], Dobro, Bouzouki, Classical Guitar - David Lindley Bass Guitar, Percussion, Guitar [Occasional Guitar], Vocals - Michael Steele Design [Logo] - David Coleman Drums, Percussion, Vocals - Debbi Peterson Guitar [Main Guitars] - Vicki Peterson Harmonica - Tommy Morgan Keyboards [Additional], Programmed By [Additional Programs] - David White, Walker Igleheart Keyboards, Programmed By [Programs] - John Philip Shenale Management - Firstars U.S.A. (Los Angeles), Ian "Biggles" Lloyd-Bisley, Miles Copeland, Pamela Turbov Mastered By - Doug Sax Mixed By - Frank Filipetti Noises - Darryl Citizen Percussion - Paulinho Da Costa Photography By - Sheila Rock Producer - Davitt Sigerson Recorded By - John Beverly Jones Recorded By [Assistance] - Joe Schiff Recorded By [Assistance], Engineer [Additional Engineering] - Ken Felton Rhythm Guitar, Percussion, Vocals - Susanna Hoffs Tabla - Jim Snodgrass
Notes Columbia Records Pressing Plant, Carrollton, GA, pressing denoted by "G1" etch in runouts. Remainder of runouts are mostly etched, TML-# stamped.
Catalog # OC 44056 on spine. Catalog # C 44056 on labels. Catalog # 44056 on inner sleeve.
Issued with a printed inner sleeve containing lyrics, credits and photo of the band.
Recorded at Ocean Way (Assistance: Joe Schiff) Recorded and Mixed at Studio 55 (Assistance and Additional Engineering: Ken Felton)
On labels: One side of this program is of longer duration than the other to preserve the album continuity
Track publishers: A1: © 1988 SBK Blackwood Music Inc./Bangophile Music (BMI)/Billy Steinberg Music (ASCAP)/Denise Barry Music (ASCAP) A2: © 1988 SBK Blackwood Music Inc./Bangophile Music/Ashdale Music (BMI) A3: © 1988 SBK Blackwood Music Inc./Bangophile Music (BMI) A4: © 1988 SBK Blackwood Music Inc./Bangophile Music/Ashdale Music/Indian Bingo Music/Red Admiral Music, Inc. (BMI). All rights for Indian Bingo Music administered by Red Admiral Music, Inc. (BMI) A5: © 1988 SBK Blackwood Music Inc./Bangophile Music (BMI)/Billy Steinberg Music (ASCAP)/Denise Barry Music (ASCAP) A6: © 1988 SBK Blackwood Music Inc./Bangophile Music/Perfect Circle Music Publishing (ASCAP) B1: © 1988 SBK Blackwood Music Inc./Bangophile Music/Ashdale Music (BMI) B2: © 1988 SBK Blackwood Music Inc./Bangophile Music (BMI)/Ashdale Music/Indian Bingo Music/Red Admiral Music, Inc. (BMI). All rights for Indian Bingo Music administered by Red Admiral Music, Inc. (BMI) B3: © 1988 SBK Blackwood Music Inc./Bangophile Music (BMI) B4: © 1988 SBK Blackwood Music Inc./Bangophile Music/Perfect Circle Music Publishing (ASCAP) B5: © 1988 SBK Blackwood Music Inc./Bangophile Music (BMI)/Vinnie Vincent Music/Rare Blue Music, Inc. (ASCAP). All rights for Vinnie Vincent Music in U.S. and Canada administered by Rare Blue Music, Inc. (ASCAP) B6: © 1988 SBK Blackwood Music Inc./Bangophile Music (BMI)/Billy Steinberg Music (ASCAP)/Denise Barry Music (ASCAP) B7: © 1988 SBK Blackwood Music Inc./Bangophile
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: US |
Release Date: 1988-10-18 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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