Title |
Price |
USD |
Media |
Condition |
Label |
Scissors Cut |
3.21 |
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LP |
Very Good Plus (VG+)/Very Good (VG) |
CBS FC37392 |
Item Number: 2081182448 325010 |
vg+/ex with inner [325010]
![](https://s3.amazonaws.com/musicstack/release/m/8b8495d955d264d0662199b708173aab.jpg) |
Tracklist
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A1 | Scissors Cut | 3:52 | A2 | A Heart In New York | 3:14 | A3 | Up In The World | 2:17 | A4 | Hang On In | 3:47 | A5 | So Easy To Begin | 2:54 | B1 | Can't Turn My Heart Away | 3:23 | B2 | The French Waltz | 3:12 | B3 | The Romance | 3:10 | B4 | In Cars | 3:49 | B5 | That's All I've Got To Say (Theme From "The Last Unicorn") | 1:54 |
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Identifiers
Label CodeSleeve: LC 0149 Label CodeLabels: LC -0149 Price Code: CB 271 Rights SocietyLabel Side A, boxed: BIEM/STEMRA Rights SocietyLabel Side B, boxed: BIEM/STEMRA Labels: ? Sleeve: 57 Matrix / RunoutLabel Side A: CBS 85259-1 Matrix / RunoutLabel Side B: CBS 85259-2 Matrix / RunoutLabel Side A: AL 37392 Matrix / RunoutLabel Side B: BL 37392 Matrix / RunoutRunout Side A stamped and etched, Variant 1: 01-85259-1A-1 CBS86133A C STERLING Matrix / RunoutRunout Side B stamped and etched, Variant 1: 01-85259-2B-1 CBS86133-B B STERLING Matrix / RunoutRunout Side A stamped and etched, Variant 2: 01-85259-1A-1 CBS86133-A D STERLING Matrix / RunoutRunout Side B stamped and etched, Variant 2: 01-85259-5B-1 CBS86133-B C STERLING Matrix / RunoutRunout Side A stamped and etched, Variant 3: 01-85259-2A-1 CBS86133A C STERLING Matrix / RunoutRunout Side B stamped and etched, Variant 3: 01-85259-3B-1 CBS86133-BX A STERLING
Credits Arranged By [Strings] - David Campbell (Tracks: A3, B3), Del Newman (Tracks: A1, B1, B5) Bass - Joe Osborn (Tracks: A1, A3, A4, B1 to B4), Scott Chambers (Tracks: A5), Tony Levin (Tracks: A2) Concertmaster - Gene Orloff (Tracks: A1, B5) Conductor [Strings] - Teo Macero (Tracks: A1, B5) Congas, Percussion - 'Crusher' Bennett (Tracks: A2, A5) Cover - Anthony Loew Design - John Berg Drums - Rick Marotta (Tracks: A1, A4, B1 to B4), Rick Shlosser (Tracks: A5), Russ Kunkel (Tracks: A2) Engineer - Roy Halee Flugelhorn, Trumpet - Lew Soloff (Tracks: B4) Guitar - Andrew Gold (Tracks: A1, A5), Dean Parks (Tracks: A1, A4, A5, B2 to B4), Graham Lyle (Tracks: A2), Jeffrey Staton (Tracks: A4, A5), Michael Staton (Tracks: A4, A5), Pete Carr (Tracks: A2, A5, B2 to B4) Keyboards - Larry Knechtel (Tracks: A1, A3, A4, B2 to B4) Mastered By - Greg Calbi Piano - Jimmy Webb (Tracks: B5), John Jarvis (Tracks: B1) Producer - Art Garfunkel, Roy Halee Synthesizer - Michael Boddicker (Tracks: A4, B1, B2), Rob Mounsey (Tracks: A2, B4) Tenor Saxophone - Michael Brecker (Tracks: A2) Vibraphone [Vibes], Marimba - Tommy Vig (Tracks: B5) Vocals - Leah Kunkel (Tracks: A1, A5, B1, B4), Lisa Garber (Tracks: B5), Paul Simon (Tracks: B4)
Notes (P) & (C) 1981 CBS Inc. Printed in Holland - CHAPPELL
Mastered at Sterling Sound
"This album was made October, 1980 - May, 1981, it was mixed using the Mitsubishi Digital Audio Systems and is dedicated to you, Bird.
A1 - White Oak Songs A2 - Headquarters Artist Management, Ltd. / Irving Music, Inc. A3 - Island Music A4 - Al Gallico Music / Turtle Music A5 - Unichappell Music, Inc. B1 - Narcolepsy Music / United Artists Music Co., Inc. / Glasco Music B2 - Warner-Tamerlane Pub. Corp. / Ten Speed Music B3 - United Artists Music Co., Inc. / Glasco Music B4 - White Oak Songs B5 - Wellbeck Music Corp.
Michael Boddicker appears courtesy of Bodifications Andrew Gold appears courtesy of Elektra/Asylum Records Rick Marotta appears courtesy of Polygram Records, Inc. Dean Parks appears courtesy of Like A Movie, Inc. Paul Simon appears courtesy of Warner Bros. Records, Inc.
Special thanks to Marry Ellen Kirby and Gayle Simon
Inner sleeve contains b/w pictures of Garfunkel and complete credits as well as Gustav Flaubert quoted: "Human speech is like a crooked kettle on which we tap crude rhythms for bears to dance to, when all the while we long to make music that will move the stars to pity".
"and is dedicated to you Bird".
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: Europe |
Release Date: 1981 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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