| Title |
Price |
GBP |
Media |
Condition |
Label |
| Encore |
3.22 |
|
CD |
Near Mint (NM or M-)/Very Good Plus (VG+) |
Aftermath Entertainment 0602498648841 |
| Item Number: 2741187280 2104 |
382807 ex+/nm
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Tracklist
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| 1 | Curtains Up (Skit) | 0:46 | | 2 | Evil Deeds | 4:19 | | 3 | Never Enough | 2:39 | | 4 | Yellow Brick Road | 5:46 | | 5 | Like Toy Soldiers | 4:56 | | 6 | Mosh | 5:17 | | 7 | Puke | 4:07 | | 8 | My 1st Single | 5:02 | | 9 | Paul (Skit) | 0:31 | | 10 | Rain Man | 5:13 | | 11 | Big Weenie | 4:26 | | 12 | Em Calls Paul (Skit) | 1:11 | | 13 | Just Lose It | 4:08 | | 14 | Ass Like That | 4:25 | | 15 | Spend Some Time | 5:10 | | 16 | Mockingbird | 4:10 | | 17 | Crazy In Love | 4:02 | | 18 | One Shot 2 Shot | 4:26 | | 19 | Final Thought (Skit) | 0:30 | | 20 | Encore (Curtains) | 5:48 |
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Barcode and Identifiers
Barcode: 6 02498 64884 1
BarcodeScanned: 602498648841
Matrix / Runout: 06024 986 488-4 04 * 51550742
Mastering SID Code: IFPI LV26
Mould SID Code: IFPI 0115
Rights Society: SABAM / BIEM
Label Code: LC 06406
Credits
A&R [Interscope A&R] - Marcus Heisser
A&R [Shady Records A&R] - Marc LaBelle
Art Direction, Design - Slang Inc.
Artwork [Interscope Creative] - Nicole Frantz
Bass - Steve King (Tracks: 4, 5, 7, 17)
Booking [Booking (Europe)] - Helter Skelter, Steve Strange
Booking [Booking (US)] - Cara Lewis, William Morris Agency
Coordinator [Additional Coordinator For 54 Sound & Screams] - Lindsay Collins
Coordinator [Aftermath Project Coordinator] - Kirdis Postelle, Larry Chatman
Coordinator [Interscope Marketing Coordinator] - Kelly Sato
Coordinator [Interscope Production Coordinator] - Les Scurry
Coordinator [Studio Coordinator For 54 Sound] - Sarah Catlett
Engineer [Assistant] - Ben Jost (Tracks: 2, 6, 10, 11, 13, 14, 20), Jose Borges (Tracks: 3), Mike Sroka (Tracks: 2, 6, 10, 11, 13 to 15, 18, 20), Rouble Kapoor (Tracks: 6, 13, 14, 20), Scott Hays (Tracks: 6, 13)
Engineer [Recording] - Mauricio "Veto" Iragorri (Tracks: 2, 3, 6, 10, 11, 13 to 15, 18, 20), Mike Chav (Tracks: 18), Mike Strange (Tracks: 2 to 8, 10, 11, 13 to 18, 20), Steve Baughman (Tracks: 2, 6, 10, 11, 13, 14, 20), Steve King (Tracks: 2 to 8, 10, 11, 13 to 18, 20), Tony Campana (Tracks: 3, 5, 7, 8, 13, 15 to 18, 20)
Executive-Producer - Dr. Dre
Guitar - Mike Elizondo (Tracks: 6, 11, 13, 20), Steve King (Tracks: 4, 5, 7, 15, 17)
Keyboards - Luis Resto (Tracks: 4, 5, 7, 8, 15 to 18, 20), Mark Batson (Tracks: 2, 6, 10, 11, 13, 14, 20), Mike Elizondo (Tracks: 2, 6, 10, 11, 13, 14, 20)
Legal [Aftermath Legal] - Peter Paterno
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Notes
℗© 2004 Aftermath Entertainment/Interscope Records.
Made in the EU.
CD made in Germany by EDC
Track 4 contains interpolations of "Funkin Lesson" (G. Clinton, Jr., J. Hunter, W. Morrison, G. Shider). Vocal samples courtesy of Spectrasonics "Vocal Planet".
Track 5 contains interpolations from "Toy Soldiers" (M. Dawson, M.J. Margules).
Track 7 contains excerpts from "We Will Rock You" (B. May), performed by Queen.
Track 13 contains interpolations from "U Can't Touch This" (R. James, A. Miller, K. Burrell). Also contains excerpts from "Just Lose Yourself" (M. Mathers, J. Bass, L. Resto) and lyrical excerpts from "Without Me" (M. Mathers, J. Bass, K. Bell, M. McLaren, A. Dudley, T. Horn).
Track 15 contains interpolations from the composition "Self Seeking Man" (G. Write) [should be Gary Wright].
Track 17 contains excerpt from "Crazy On You" (A. Wilson, N. Wilson, R. Fisher), as performed by Heart.
Remark: Track 5 is credited to M. Dawson. It's not clear why since the sample is written by Martika and M.J. Margules.
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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