| Title |
Price |
GBP |
Media |
Condition |
Label |
| The Six Wives Of Henry VIII |
5.37 |
|
LP |
Near Mint (NM or M-)/Very Good Plus (VG+) |
A&M Records AMLH64361 |
| Item Number: 2948340775 2105 |
391620 ex/nm gatefold
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Tracklist
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| A1 | Catherine Of Aragon | 3:41 | | A2 | Anne Of Cleves | 7:50 | | A3 | Catherine Howard | 6:35 | | B1 | Jane Seymour | 4:44 | | B2 | Anne Boleyn 'The Day Thou Gavest Lord Hath Ended' | 6:30 | | B3 | Catherine Parr | 7:03 |
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Identifiers
Matrix / RunoutRunout, A-side, stamped. Variant 1: AMLH 64361 - A5 ⋀
Matrix / RunoutRunout, B-side, stamped. Variant 1: AMLH 64361 - B3
Matrix / RunoutRunout, A-side, etched. Variant 2: AMLH 64361 - A2
Matrix / RunoutRunout, B-side, etched. Variant 2: AMLH 64361 - B2x
Matrix / RunoutSide one (writing): AMLH 64361 - A6
Matrix / RunoutSide two (writing): AMLH 64361 - B5
Matrix / RunoutVariant 4: AMLH 64361 - A5
Matrix / RunoutVariant 4: AMLH 64361 - B4
Matrix / RunoutRunout Side A, variant 5: AMLH 64361 - A2 22 B
Matrix / RunoutRunout Side B, variant 5: AMLH 64361 - B2X D
Credits
Art Direction - Mike Doud
Design - Ken Carroll
Engineer [Assistant] - Peter Flanagan (Tracks: A2 to B1, B3)
Engineer, Mixed By - Paul Tregurtha (Tracks: A2 to B1, B3)
Photography By [Front Cover] - Bruce Rae
Photography By [Inside] - Ruan O'Lochlainn
Producer, Written-By, Arranged By - Rick Wakeman
Technician [Keyboards & Amplification Set Up By] - Claude Johnson Taylor, John Cleary, Michael Tait, Philip Hepple
Notes
Reissue With The Grey Label With The Large Gold A&M Logo. Gatefold Cover.
Instruments:
Custom built Hammond C-3 Organ, RMI Electric Piano & Harpsichord, 2 x Mini-Moog Synthesizer, Mellotron 400-D (Brass/Strings/Flutes), Mellotron 400-D (Vocals/Sound Effects/Vibes), Steinway 9’ Grand Piano, Frequency Counter, Custom Mixer.
In addition to the above instruments a Thomas Goff Harpsichord and ARP Synthesizer were used. All sounds put through two Steoreo Leslies, Fender Duel Showman Amp & two JBL Cabinets. Also used a custom built Oscillator, Fuzz & Wahwah Pedal and Binson Echo Unit. The organ on ‘Jane Seymour’ was recorded at St. Giles, Cripplegate.
‘Katherine Of Aragon’ was engineered and mixed at Trident Studios, London. ‘Anne Boleyn’ was engineered at Morgan Studios, London, and mixed at Trident Studios. All the remaining tracks were engineered and mixed at Morgan Studios.
Hymn at the end of ‘Anne Boylen’ which is 'The Day Thou Gavest Lord Hath Ended'.
Recorded between February and October, 1972. All songs published by Rondor Music.
This album is based around my interpretations of the musical characteristics of the wives of Henry VIII. Although the style may not always be in keeping with their individual history, it is my personal conception of their characters in relations to keyboard instruments. - Rick.
(P) 1973
Similar release, The Six Wives Of Henry VIII has an 'ALLEN' etching in the runout.
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: UK |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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