| Title |
Price |
GBP |
Media |
Condition |
Label |
| Sonatas And Interludes / A Book Of Music |
17.85 |
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2LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Tomato TOM21001 |
| Item Number: 2633224482 |
410581, ex/ex/ex-, gatefold
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Tracklist
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| Sonatas And Interludes For Prepared Piano | | | A1 | Sonata #1 | 2:49 | | A2 | Sonata #2 | 1:59 | | A3 | Sonata #3 | 2:27 | | A4 | Sonata #4 | 2:48 | | A5 | First Interlude | 2:53 | | A6 | Sonata #5 | 1:18 | | A7 | Sonata #6 | 1:48 | | A8 | Sonata #7 | 1:47 | | A9 | Sonata #8 | 2:37 | | A10 | Second Interlude | 3:36 | | B1 | Third Interlude | 2:43 | | B2 | Sonata #9 | 3:51 | | B3 | Sonata #10 | 2:25 | | B4 | Sonata #11 | 2:34 | | B5 | Sonata #12 | 2:40 | | B6 | Fourth Interlude | 2:36 | | B7 | Sonata #13 | 3:19 | | C1 | Sonata #14 & 15 "Gemini" After The Work By Richard Lippold | 5:03 | | C2 | Sonata #16 | 5:16 | | A Book Of Music (First Recording) | | | C3 | Part 1 | 12:33 | | D | Part 2 | 19:28 |
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Identifiers
Matrix / RunoutSide A label: TOM-2-1001-A
Matrix / RunoutSide B label: TOM-2-1001-B
Matrix / RunoutSide C label: TOM-2-1001-C
Matrix / RunoutSide D label: TOM-2-1001-D
Matrix / RunoutSide A runout, etched: TOM-2-1001-A-3 (EX) RL Δ22459
Matrix / RunoutSide B runout, etched: TOM-2-1001-B-1-(EX) Δ22459-X
Matrix / RunoutSide C runout, etched: TOM-2-1001-C-1 (EX) RL Δ22460
Matrix / RunoutSide D runout, etched: TOM-2-1001- D-1 (EX) RL Δ22460-X
Matrix / RunoutSides A & C runouts, stamped: MASTERDISK
Matrix / RunoutAll runouts, stamped [MP encircled]: MP
Rights Society: BMI
Credits
Composed By - John Cage
Design [Cover] - Milton Glaser
Engineer - Gretchen Zoeckler
Liner Notes - Cady Cohen
Mastered By - Bob Ludwig, Dave Crawford
Piano - Joshua Pierce (Tracks: A1 to C2), Maro Ajemian (Tracks: C3, D)
Producer - Heiner Stadler
Notes
'Sonatas and Interludes' for prepared piano composed 1946-48
'A Book of Music' for two prepared pianos composed 1944
Baldwin Piano kindly provided by Jack Romann, Baldwin Piano Co.
A Book Of Music Publ. C.F. Peters Corporation (BMI)
A1 to C2 recorded on July 26 & 27, 1975
C3 & D recorded on February 22, 1976 at Minot Sound Studios, White Plains, New York
Mastering: (Masterdisk Corp.)
TMK by The Tomato Music Company, Ltd. ©1977 Tomato Records
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: US |
| Release Date: 1977 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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