Title |
Price |
GBP |
Media |
Condition |
Label |
West Side Story |
7.52 |
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2LP |
Mint (M)/Near Mint (NM or M-) |
Deutsche Grammophon 4152531 |
Item Number: 2555028522 2070 |
still sealed 374890
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Tracklist
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| Act I | | A1 | No. 1 Prologue | 4:05 | A2 | No. 2 Jet Song | 3:11 | A3 | No. 3 Something's Coming | 2:32 | A4 | No. 4 The Dance At The Gym: Blues - Promenade - Mambo - Cha-Cha | 7:45 | B1 | No. 5 Maria | 15:19 | B2 | No. 6 Balcony Scene | 7:29 | B3 | No. 7 America | 4:48 | C1 | No. 8 Cool | 4:36 | C2 | No. 9 One Hand, One Heart | 5:38 | C3 | No. 10 Tonight | 3:40 | C4 | No. 11 The Rumble | 3:03 | | Act II | | D1 | No. 12 I Feel Pretty | 3:21 | D2 | No. 13 Ballet Sequence | 9:04 | D3 | No. 14 Gee, Officer Krupke | 4:20 | D4 | No. 15 A Boy Like That / I Have A Love | 5:36 | D5 | No. 16 Taunting Scene | 1:26 | D6 | No. 17 Finale | 2:36 |
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Barcode and Identifiers
Barcode: 0 28941 52531 4 BarcodeScanned: 028941525314 Label Code: LC 0173 Matrix / RunoutLabels side A+B: 415 254-1 Matrix / RunoutLabels side C+D: 415 255-1 Matrix / RunoutRunout side A, variant 1: 415 254 - 1 S 1 320 C·1 DW Matrix / RunoutRunout side B, variant 1: 415 254 - 1 S 2 320 V1·1 DB Matrix / RunoutRunout side C, variant 1: 415 255 - 1 S 3 320 2A EM Matrix / RunoutRunout side D, variant 1: 415 255 - 1 S 4 = 3 320 1·5 DW Matrix / RunoutRunout side A, variant 2: 415 254-1 S1 320 1.3.7 CN Matrix / RunoutRunout side B, variant 2: 415 254-1 S2 320 1.1A .2C CG Matrix / RunoutRunout side C, variant 2: 415 255-1 S3 320 7CY Matrix / RunoutRunout side D, variant 2: 415 255-1 S4=2 320 5A CP Price CodeBack cover, boxed: G|H2 Rights Society: GEMA Spine string: Digital · Stereo Bernstein · West Side Story · Bernstein 415 253-1 GH2 Back cover, embossed non ink stamp: PRS Hannover
Credits Art Direction - Hartmut Pfeiffer Chorus Master [Dialect Coaching] - Nico Castel Composed By [Music By], Conductor [Orchestra And Chorus Conducted By] - Leonard Bernstein Concept By [Conception, Original Production Directed And Choreographed By] - Jerome Robbins Conductor [Musical Preparation And Rehearsal Conductor] - David Stahl Coordinator [Coordination] - Allison Ames, Claudia Hamann Design [Cover Design] - Klaus Witt Edited By [Editing] - Jobst Eberhardt, Wolf-Dieter Karwatky Engineer [Recording Engineer] - Karl-August Naegler Executive-Producer - Hanno Rinke Executive-Producer [Chorus Contractor] - Adrienne Albert Executive-Producer [Orchestra's Contracting Personnel Manager] - Samuel Levitan Libretto By [Libretto Copyright © 1956 By] - Arthur Laurents, Leonard Bernstein, Stephen Sondheim Liner Notes [Booklet Editor: Libretto] - Adele Poindexter Liner Notes [Booklet Editor] - Richard Evidon Liner Notes [French Translation Of Bernstein & Cbs] - Alain Jomy Liner Notes [French Translation Of Stearns] - Jacques Fournier Liner Notes [German Translation Of Bernstein] - Peter Weiser Liner Notes [Italian Translation Of Bernstein & Cbs] - Marco Spada Liner Notes [Italian Translation Of Stearns] - Mirella Noack-Rofena Liner Notes [© 1982] - Leonard Bernstein Liner Notes [© 1985] - David Patrick Stearns Lyrics By [Song Lyrics] - Stephen Sondheim Orchestrated By - Leonard Bernstein Orchestrated By [With] - Irwin Kostal, Sid Ramin Photography By [Back Cover: Photo By] - Susesch Bayat Photography By [Front Cover: Photo By] - Christian Steiner - Susesch Baya
Notes Cover info: Gatefold cover with 24 page booklet containing liner notes in English, German, French and Italian, and lyrics in German, English and French. Digital Recording Part of the notes: Reprinted from the notes to the Original Broadway Cast recording by courtesy of CBS Masterworks. © 1957 CBS Inc. German translation of Leonard Bernstein notes: © Knaus Verlag München ℗ 1985 Polydor International GmbH, Hamburg Cassette catalog# 415 253-4 GH2 CD catalog# 415 253-2 GH2 Made in West Germany Printed in West Germany by Münstermann-Druck KG, Hannover NB. Also versions printed by J. Alt GmbH, Niederdorfelden Copyright © 1958 by Arthur Laurents, Leonard Bernstein, Jerome Robbins and Stephen Sondheim. Copyright © 1957, 1959 by Leonard Bernstein and Stephen Sondheim. Texts and translations reprinted by kind permission of G. Schirmer, Inc., New York Cover Design: Klaus Witt, Hamburg
Originally produced on Broadway by Robert E. Griffith and Harold S. Prince by arrangement with Roger L. Stevens
--- Centerlabels info: Made in West Germany ℗ 1985 Polydor International GmbH, Hamburg (no star on bottom)
Gatefold sleeve & booklet assembled by 'PRS Hannover'.
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: Germany |
Release Date: 1985 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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