| Title |
Price |
GBP |
Media |
Condition |
Label |
| Will Power |
4.30 |
|
LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
A&M Records 3939081 |
| Item Number: 2204664370 |
402689, ex/ex+, with hypesticker and inner
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Tracklist
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| A1 | No Pasaran | 6:05 | | A2 | Solitude | 9:35 | | A3 | Will Power | 5:51 | | B1 | Nocturne | 4:24 | | B2 | Symphony In One Movement | 16:13 |
|
Barcode and Identifiers
Barcode: 0 82839 39081 1
Label Code: LC 0485
Matrix / RunoutA-side variant 1: 393 908-1 S 1 320
Matrix / RunoutB-side variant 1: 393 908-1 S 2 320
Matrix / RunoutA-side variant 2: 393 908-1 S 1 320 1G
Matrix / RunoutB-side variant 2: 393 908-1 S 2 320 1A
Matrix / RunoutA-side variant 3, L tilted: 393 908-1 S 1 320 1 L
Matrix / RunoutB-side variant 3, A and B tilted, A crossed out.: 393 908-1 S 2 320 A 1 B
Price Code: POL 281
Rights SocietyBoxed: GEMA
Rights Society: ASCAP
Credits
Alto Saxophone, Tenor Saxophone - Chris Hunter
Bass Guitar - Anthony Jackson (Tracks: A2), Neil Jason (Tracks: A3)
Bassoon - John Campo
Cello - Alla Goldberg, Charles McCracken, Diane Barere, Fred Zlotkin, Jacqueline Mullen, Jeanne Leblanc, Richard Locker, Seymour Barab, Warren Lash
Clarinet, Bass Clarinet - Charles Russo, Dave Tofani, Ray Beckenstein, Roger Rosenberg
Clarinet, Soloist - Tony Aiello (Tracks: B2)
Conductor - George Manahan
Double Bass - Homer Mensch, John Beal, John Miller, Joseph Tamosaitis
Drums - Gary Burke
Engineer - Michael Frondelli, Paul Goodman
Engineer [Additional Engineering] - Dennis Ferrante
Flute, Piccolo Flute - Andrew Lolya, Laura Conwesser, Michael Parloff
French Horn - Donald Corrado, Jerry Peel, John Clark, Paul Ingraham
Guitar - Vinnie Zummo
Management [Personal Representation] - Art Collins, Barry Taylor
Mixed By - Joe Jackson, Michael Frondelli, Paul Goodman
Oboe - Henry Schuman
Percussion - David Carey, David Friedman, Sue Evans
Photography By - Laura Levine
Piano - Pat Rebillot (Tracks: A1 to A3, B2)
Piano, Keyboards [A Few Small Overdubs], Percussion [A Few Small Overdubs] - Joe Jackson (Tracks: B1)
Piccolo Flute - Susan Trainer (Tracks: A2)
- Ste
Notes
Subtitle: The Instrumental Album
Recorded with the Sony PCM-3324 Digital System at RCA Studios, NYC, February 1986 and January 1987; 'Nocturne' recorded direct to Sony 1630 Digital Master.
℗ 1987 A&M Records Inc. Los Angeles
Made in West-Germany
© 1987 A&M Records Inc. Los Angeles
Published by Pokazuka Limited & administered in the U.S. & Canada by Almo Music Corp. (ASCAP) except "Solitude" published by Mills Music, Inc. / Scarsdale Music Corp. (ASCAP).
PRS logo embossed on back side of cover (bottom left)
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Germany |
| Release Date: 1987 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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