| Title |
Price |
GBP |
Media |
Condition |
Label |
| Dancing With The Lion |
4.30 |
|
LP |
Near Mint (NM or M-)/Very Good Plus (VG+) |
CBS CBS4633311 |
| Item Number: 2081206481 345407 |
ex+/nm bo written on sleeve [345407]
|
Tracklist
|
| A1 | Unto The Burning Circle | 3:48 | | A2 | Dancing With The Lion | 4:00 | | A3 | Hippolyte | 1:11 | | A4 | Dance Of The Masks | 5:51 | | A5 | Pearls & Tears | 5:02 | | B1 | Garden Of My Childhood | 1:47 | | B2 | Still Life | 5:40 | | B3 | And The Long Shadows | 3:37 | | B4 | See, My Love... | 3:03 | | B5 | Silver Dew, Golden Grass | 0:59 | | B6 | Ascent From The Circle | 4:01 |
|
Barcode and Identifiers
Barcode: 5 099746 333119
Rights Society: BIEM / STEMRA
Label Code: LC 0149
Price Code: 58
Price Code: CB 291
Matrix / RunoutCentre Label Side A: 12-463331-20-1
Matrix / RunoutCentre Label Side B: 12-463331-20-2
Matrix / RunoutRunout Side A, stamped: 12 463331 20 2A 1
Matrix / RunoutRunout Side B, stamped: 12 463331 20 2B 1 SONDEREGGER
Back Cover: 12-463331-20
Credits
Accordion - Fernando Fantini
Acoustic Guitar - Max Lässer
Bansuri - Steve Gorn
Bass - Peter Keiser
Bassoon - Beat Briner
Choir - Kinderchor Kaltbrunn
Chorus [Female] - Diva Gray, Lani Groves, Patti Austin, Vaneese Thomas
Chorus [Male] - Barry Brandes, Bernhard Banse, Eric Johnson, Hans-Jürgen Frank, Hartmut Kriszun, James Moellenhoff, John Ousley, Phil Sneed, Wilbur Pauley
Co-producer - Darryl Pitt
Co-producer, Recorded By, Mixed By - Eric Merz
Conductor [Choir] - Daniel Winiger
Conductor [Ensemble] - Horst Hagemann
Coordinator [Production Coordination For Lakeside Sessions] - Sylvie Rossi
Coordinator [Production Coordination For The Hit Factory And Mad Hutter Sessions] - Karen Kramer
Design - Düde Dürst
Drums, Percussion - Walter Keiser
Engineer - Hanspeter Ehrsam
Engineer [Additional Recording At Ebony Recording Studio] - Bernie Staub
Engineer [Additional Recording At Hit Factory Assistant] - Paul Logus
Engineer [Additional Recording At Hit Factory] - Tim Leitner
Engineer [Additional Recording At Mad Hatter Studios Assistant] - Darren Mora
Engineer [Additional Recording At Mad Hatter Studios] - Ira Rubnitz
Engineer [Assistant] - Jean-Bernard Hofer
English Horn, Oboe - Roman Schmid
Ensemble - Mandolinen-Orchester Zürich
Executive-Producer - Hanswalter Huggler, Hugo Faas
Flute - Matthias Ziegler
French Horn - Charly Fässler, Hans Bergström
-
Notes
Composed, arranged and produced for AVAF Inc. and AVAF-Music, Zurich, Switzerland.
Recorded and mixed at Lakeside Recording Studio, Zurich, Switzerland; April - October 1988.
Additional Recordings at Hit Factory, New York City, Mad Hatter Studios, Los Angeles and Ebony Recording Studio, Wohlen, Switzerland.
ⓟ 1989 AVAF iNC ⓒ 1989 AVAF iNC / CBS and CBS Inc. / Printed in Holland / Imprimé en Hollande
Distributed by CBS Records / CBS Disques S.A.
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
|
|
| Release Country: Europe |
| Release Date: 1989 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------
CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
|
|
|
