| Title |
Price |
GBP |
Media |
Condition |
Label |
| Stratas Sings Weill |
4.46 |
|
LP |
Near Mint (NM or M-)/Very Good Plus (VG+) |
Nonesuch 9791311 |
| Item Number: 2081152352 276845 |
ex/nm, with inner, cover has been promotionally stamped in the upper left corner but is a regular copy [276845]
|
Tracklist
|
| A1 | I'm A Stranger Here Myself | 4:02 | | A2 | Havanna-Lied | 1:47 | | A3 | Surabaya-Johnny | 5:55 | | A4 | Foolish Heart | 2:49 | | A5 | Ich Bin Eine Arme Verwandte (Fennimore's Song) | 4:02 | | A6 | One Life To Live | 3:17 | | A7 | J'Attends Un Navire | 4:23 | | A8 | Das Lied Von Der Harten Nuss | 1:20 | | B1 | Lonely House | 4:03 | | B2 | Le Roi D'Aquitaine | 2:54 | | B3 | Denn Wie Man Sich Bettet | 4:13 | | B4 | Le Train Du Ciel | 6:16 | | B5 | Das Lied Von Der Unzulänglichkeit Menschlichen Strebens | 1:36 | | B6 | It Never Was You | 1:53 | | B7 | Der Kleine Leutnant Des Lieben Gottes | 5:28 |
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Barcode and Identifiers
Barcode: 0 7559-79131-1 8
Rights Society: GEMA/BIEM
Label Code: LC 0286
Credits
Art Direction, Design - Carin Goldberg
Composed By - Kurt Weill
Conductor - Gerard Schwarz
Engineer - Paul Goodman
Engineer [Additional Engineering] - John McClure, Tony Salvatore
Liner Notes [Translations By] - Cecile Stratta And Associates
Mastered By - Bob Ludwig
Orchestra - Y Chamber Symphony
Photography By [Cover] - Beth Bergman
Producer - Robert Hurwitz
Producer [Additional Production] - Eric Salzman, John McClure
Vocals - Teresa Stratas
Notes
Recorded December 1985 and March 1986 at RCA Studios, NYC.
1 and 4 from "One Touch of Venus".
2 from "Aufstieg und Fall der Stadt Mahagonny" (The Rise and Fall of the City of Mahagonny).
3, 8, 14 and 15 from "Happy End".
5 from "Der Silbersee" (The Silverlake)
6 from "Lady in the Dark"
7 and 10 from "Marie Galante"
9 from "Street Scene"
11 from "Aufstieg und Fall der Stadt Mahagonny" (The Rise and Fall of the City of Mahagonny)
12 from "Die Dreigroschenoper" (The Threepenny Opera)
13 from "Knickerbocker Holiday"
Teresa Stratas and Robert Hurwitz wish to personally thank Eric Salzman for his guidance and inspiration during the formative stages of this project; and Keith Holzman, who acted as a guiding light throughout this recording. Special thanks also to Kim Kowalke and the Kurt Weill Foundation, Bob Krasnow, and Omus Hirshbein.
℗ 1986 Elektra/Asylum/Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States
© 1986 Elektra/Asylum/Nonesuch Records, a Division of Warner Communications, Inc.
Manufactured in Germany
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
|
|
| Release Country: Europe |
| Release Date: 1986 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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