| Title |
Price |
GBP |
Media |
Condition |
Label |
| Ether Song |
2.23 |
|
CD |
Very Good Plus (VG+)/Near Mint (NM or M-) |
Source 724358194708 |
| Item Number: 2081136470 230008 |
nm/ex/ex [230008]
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Tracklist
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| Disk One | | | 1-1 | Blue Hour | 3:41 | | 1-2 | Average Man | 2:43 | | 1-3 | Long Distance | 4:27 | | 1-4 | Self Help | 4:22 | | 1-5 | Falling Down | 3:28 | | 1-6 | Stone Thrown | 4:04 | | 1-7 | Clear Blue Air | 3:51 | | 1-8 | Pain Killer (Summer Rain) | 3:53 | | 1-9 | Full Of Stars | 4:38 | | 1-10 | Panic Attack | 2:27 | | 1-11 | Little Brother | 5:32 | | 1-12 | Rain City | 4:05 | | Bonus Disc (Enhanced CD) | | | 2-1 | Blue Hour (Home Recording) | 4:07 | | 2-2 | Self Help (SBN Session) | 4:23 | | 2-3 | Long Distance (SBN Session) | 4:03 | | 2-4 | Bright Golden Lights (Home Recording) | 3:06 | | Video1 | Ether Song EPK (Video) | |
|
Barcode and Identifiers
Barcode: 7 24358 19470 8
BarcodeString: 724358194708
Label Code: LC 0901
Price Code: PM502
Rights Society: bel BIEM
ICPN: 7243 581947 0 8
CD1: 5819470 (5819412)
CD2: 5519910
CD2 Cat. No.: CDSOURX 054
Matrix / RunoutVariant 1 - CD1: EMI UDEN 5819412 @ 2 2-1-7-NL
Matrix / RunoutVariant 2 - CD1: EMI UDEN 5819412 @ 2 2-1-4-NL
Matrix / RunoutVariant 1 - CD2: EMI UDEN 5519910 @ 3 2-1-6 NL
Matrix / RunoutVariant 2 - CD2: EMI UDEN 5519910 @ 3 2-1-1 NL
Mastering SID CodeVariant 1 - CD1: IFPI L046
Mastering SID CodeVariant 2 - CD1: IFPI L046
Mastering SID CodeVariant 1 - CD2: IFPI L047
Mastering SID CodeVariant 2 - CD2: IFPI L047
Mould SID CodeVariant 1 - CD1: ifpi 15EF
Mould SID CodeVariant 2 - CD1: ifpi 1593
Mould SID CodeVariant 1 - CD2: IFPI 1444
Mould SID CodeVariant 2 - CD2: ifpi 15EC
Credits
Art Direction [Creative Direction] - Kate Nielsen
Bass - Justin Meldal-Johnsen (Tracks: 1-1 to 1-12)
Drums - Brian Reitzell (Tracks: 1-1 to 1-12)
Engineer - Albert Pinheiro (Tracks: 2-1 to 2-4), S. Husky Hoskulds (Tracks: 1-1 to 1-12)
Keyboards - Dave Palmer (Tracks: 1-1 to 1-12)
Management - Phil Passera
Mastered By - Brian Gardner (Tracks: 1-1 to 1-12)
Mixed By - Tony Hoffer (Tracks: 1-1 to 1-12)
Performer - Dave Palmer (Tracks: 2-2, 2-3), Turin Brakes (Tracks: 2-2, 2-3)
Photography By [Booklet] - Ben Drury, Gale Paridjanian, Kate Nielsen
Photography By [Cover] - Ben Drury, Will Bankhead
Producer - Tony Hoffer (Tracks: 1-1 to 1-12), Turin Brakes (Tracks: 2-1 to 2-4)
Sleeve [Sleeve Artwork] - Ben Drury
Written-By, Performer - Gale Paridjanian (Tracks: 1-1 to 1-12), Olly Knights (Tracks: 1-1 to 1-12)
Notes
Disc 1 recorded at The Sound Factory, Los Angeles, mastered at Bernie Grundman Engineering, Los Angeles and mixed at Strongroom Studios, London & The Village, Los Angeles.
Bonus disc is enhanced and was recorded for SBN & broadcast across the UK on student radio (www.sbn.co.uk)
(P) & (C) 2003 Mawlaw 388 Ltd t/a Source UK
(C) 2003 EMI Records Ltd.
Made in the E.U.
Comes in oversized gatefold card sleeve with a clear "Copy Controlled" cover sticker and a 20-page booklet insert.
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: France |
| Release Date: 2003 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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