De Fabriek
Title Price GBP  Media  Condition  Label 
Blecheintopf (Music for Modern Art Exhibitions, Volume II) 21.48  LP  Near Mint (NM or M-)/Near Mint (NM or M-)  Futura Resistenza RESLP013
Item Number: 2991435992 2104

393447 nm/nm with insert, red vinyl, Goodiepal writing on cover


Tracklist
 
A1Kleeblat11:49
A2Tribute to Paul Klee0:53
A3Marrygoround1:26
A4Langzamer4:10
A5Волнистый2:30
B1Harrisburg5:16
B2Le éternal Mal8:29
B3Il Tempo5:40


Barcode
Barcode: 2021011217315

Credits
Arranged By, Producer, Performer - Wolff P. Rillings
Design - Koos Siep
Mastered By - Felix-Florian Tödtloff
Written By, Producer, Recorded By - De Fabriek
Notes
Limited 100 copies

Written, produced and recorded by De Fabriek* and Wolff P. Rillings** at the Fabstudio, 1981
*De Fabriek is Andries Eker, Heinz Bönig, Henri Mouwer, and Richard Van Dellen
**Wolff P. Rillings is Nico Selen
Mastered by Felix-Florian Tödtloff
Design by Koos Siep

Futura Resistenza
Brussels/Rotterdam, 2022

(Comes with zigzag 6 page A4 booklet)
in hand stamped kraft board sleeve

Note
Tracklisting is supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: Belgium
Release Date: 2022-04-04
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:

CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

registered shipping: up to 2kgs €20

Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

Questions:
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