| Title |
Price |
GBP |
Media |
Condition |
Label |
| Painting Of A Panic Attack |
21.72 |
|
LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Atlantic 0825646486397 |
| Item Number: 2895409687 |
416092, ex+/ex+, gatefold with inner
 |
|
Tracklist
|
| A1 | Death Dream | | | A2 | Get Out | | | A3 | I Wish I Was Sober | | | A4 | Woke Up Hurting | | | A5 | Little Drum | | | A6 | Still Want To Be Here | | | B1 | An Otherwise Disappointing Life | | | B2 | Break | | | B3 | Blood Under The Bridge | | | B4 | 400 Bones | | | B5 | Lump Street | | | B6 | Die Like A Rich Boy | |
|
Barcode and Identifiers
BarcodeScanned: 825646486397
BarcodeSticker On Shrink Wrap - Signed Copies: 0825646390274
Matrix / RunoutSide A: 15338 1A 0825646486397 UNITY
Matrix / RunoutSide B: 15338 1B 0825646486397
Label Code: LC14666
Rights Society: GEMA/MCPS
ASIN: B01BNTX1XE
Credits
Arranged By [Strings] - Clarice Jensen
Artwork - DLT, Scott Hutchison
Bass - Scott Devendorf (Tracks: B1)
Mastered By - Greg Calbi
Mixed By - Craig Silvey (Tracks: A1 to B2, B5), Eduardo de la Paz (Tracks: B4), Jonathan Low (Tracks: B4, B6)
Producer - Aaron Dessner
Recorded By - Aaron Dessner, Jonathan Low
Recorded By [Additional] - Andy Monaghan (Tracks: A2 to B5), Brett Cox (Tracks: B5), Charlie Andrew (Tracks: B5), Scott Hutchison (Tracks: A1, A3 to B3, B6)
Words By - Scott Hutchison
Written-By - Aaron Dessner (Tracks: A5, B2), Frightened Rabbit
Notes
Comes in a gatefold sleeve with printed inner sleeve, includes a voucher for a digital download of the album.
1000 copies that are signed by the band on the inside gatefold were available from their webstore. These copies have barcode 0825646390274 stuck on the shrink wrap over the sleeve barcode.
Additional recording on tracks A2 to B5 by Andy Monaghan at 312, Glasgow; Audio Lounge, Glasgow; Monnow Valley, Monmouth; Bryn Derwen, Bethesda.
Additional recording on tracks A1, A3 to B3 & B6 by Scott Hutchison at Home, CA, USA.
Additional recording on track B5 by Charlie Andrew & Brett Cox at Monnow Valley, Monmouth.
Tracks A1 to B2 & B5 mixed at Toast Studios, London.
Track B4 Mixed at Tostada Studios, London.
Published by Domino Publishing Co. Ltd. except tracks 5 & 8 published by Domino Publishing Co. Ltd. & Ingrid Stella Music.
Made in the E.U.
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
|
|
| Release Country: Europe |
| Release Date: 2016-04-08 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------
CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
|
|
|
