| Title |
Price |
GBP |
Media |
Condition |
Label |
| Let Love In |
24.63 |
|
LP |
Mint (M)/Very Good Plus (VG+) |
Mute LPSEEDS8 |
| Item Number: 2888110714 |
415899, ex+/sealed, lower right corner is bend a bit
 |
|
Tracklist
|
| A1 | Do You Love Me? | 5:56 | | A2 | Nobody's Baby Now | 3:52 | | A3 | Loverman | 6:21 | | A4 | Jangling Jack | 2:47 | | A5 | Red Right Hand | 6:10 | | B1 | I Let Love In | 4:14 | | B2 | Thirsty Dog | 3:48 | | B3 | Ain't Gonna Rain Anymore | 3:46 | | B4 | Lay Me Low | 5:08 | | B5 | Do You Love Me? (Part 2) | 6:12 |
|
Barcode and Identifiers
Barcode: 5 414939 710810
BarcodeScanned: 5414939710810
Label Code: LC05834
Rights Society: SABAM/BIEM
Matrix / RunoutEtched runout side A, variant 1: BE50957-01 A1 LPSEEDS8
Matrix / RunoutEtched runout side B, variant 1: BE50957-01 B1 LPSEEDS8
Matrix / RunoutEtched runout side A, variant 2: BE50957-01 A1 LP SEED S8 =S
Matrix / RunoutEtched runout side B, variant 2: BE50957-01 B1 LPSEEDS8 3Λ
Matrix / RunoutEtched runout side A, variant 3: BE50957-01 A1 LP SEED S8 Γဥ
Matrix / RunoutEtched runout side B, variant 3: BE50957-01 B1 LPSEEDS8 3⊥
Matrix / RunoutSide A variant 4: BE50957-01 A1 LPSEED S8
Matrix / RunoutSide B variant 4: BE50957-01 B1 -1= LPSEEDS8
Credits
Design - Nick Cave, Robert Hales
Engineer [Assistant Engineer At Metropolis] - Robin Mai, Tim Johnston
Engineer [Assistant Engineer At Townhouse III] - Giles Cowley
Engineer [Demos Done With, At Atlantis] - Craig Williamson, David McCluney
Engineer [Demos Done With, At GT Eden] - Victor Van Vugt
Engineer [Demos Done With, At Vielklang] - Patrik Majer
Mastered By - David Macquarie, Don Bartley
Mixed By - Tony Cohen
Photography By - Polly Borland
Producer [Produced By] - Nick Cave & The Bad Seeds, Tony Cohen
Notes
Some copies include a download code for FLAC or MP3.
Printed inner sleeve.
From front sticker:
Includes download code
Recorded at Townhouse III, London, September '93 and Metropolis, Melbourne, December '93.
Mixed at Metropolis
Mastered at 301, Sydney
Sleeves produced at Assorted Images
Made in the EU.
℗ 2011 Mute Records Ltd, A BMG Company
© 2014 Mute Records Ltd, A BMG Company
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
|
|
| Release Country: Europe |
| Release Date: 2015-02-16 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------
CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
|
|
|
