| Title |
Price |
GBP |
Media |
Condition |
Label |
| Frank Black |
41.27 |
|
LP |
Near Mint (NM or M-)/Near Mint (NM or M-) |
4AD CAD3004LPE |
| Item Number: 2838721384 2104 |
387226 nm/nm with inner, orange vinyl
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Tracklist
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| A1 | Los Angeles | | | A2 | I Heard Ramona Sing | | | A3 | Hang On To Your Ego | | | A4 | Fu Manchu | | | A5 | Places Named After Numbers | | | A6 | Czar | | | A7 | Old Black Dawning | | | A8 | Ten Percenter | | | B9 | Brackish Boy | | | B10 | Two Spaces | | | B11 | Tossed (Instrumental Version) | | | B12 | Parry The Wind High, Low | | | B13 | Adda Lee | | | B14 | Every Time I Go Around Here | | | B15 | Don't Ya Rile 'Em | |
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Barcode and Identifiers
BarcodeScanned: 5014436300400
Barcode: 5 014436 300400
BarcodeStickered: 5014436300400
Rights Society: BMI
Matrix / RunoutSide A runout, variant 1: CAD 3004 LPE A MPOⓇ 19 107140
Matrix / RunoutSide B runout, variant 1: CAD 3004 LPE B MPOⓇ 19 107141
Matrix / RunoutSide A runout, variant 2: CAD 3004 LPE A MPOⓇ 19 107350
Matrix / RunoutSide B runout, variant 2: CAD 3004 LPE B MPOⓇ 19 107310
Credits
Bass, Keyboards, Synthesizer [Synthetics] - Eric Drew Feldman
Design - Chris Bigg, Vaughan Oliver
Drums [Additional Drums] - Bob Giusti
Drums, Percussion - Nick Vincent
Engineer [Second Engineers] - Efren Herrera, Matt Pakucko, Sean Leonard
Guitar [Additional Guitars] - Dave Sardy, Jeff Moris Tepper, Joey Santiago
Management - Richard Hermitage
Mastered By - Wally Traugott
Photography By [Artwork Photography] - Simon Larbalestier
Photography By [Portrait Photography] - Michael Halsband
Producer - Eric Drew Feldman, Frank Black
Recorded By, Mixed By - Alistair Clay
Saxophone - John Linnell, Kurt Hoffman
Songwriter - Frank Black (Tracks: A1, A2, A4 to B15)
Vocals, Guitar - Frank Black
Notes
A Record Store Day 2019 release. Exclusive, quantity of 4,500.
Includes a custom inner sleeve.
Made in E.U.
U.S. • 134 Grand Street, New York, N.Y. 10013
U.K. • 17-19 Alma Road, London SW18 1AA
Recorded at The Clubhouse, Burbank, California.
Mixed at The Plant Studios, Sausalito, Ca.
Additional recording at Master Control Studio, Burbank, Ca.
Mastered at Capitol Tower Mastering [...]
All songs [...] published by Spime Songs, BMI 1992 except "Hang On To Your Ego" [...] published by Rondor Music (London) Ltd.
℗ & © 1993 4AD Ltd.
On the runouts: catalog numbers together with side indicators A and B are hand-etched, other numbers and MPO logo are stamped.
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 2019-04-13 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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