Title |
Price |
GBP |
Media |
Condition |
Label |
Bring It On |
3.26 |
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CD |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Hut Recordings 724384559229 |
Item Number: 2767317373 1869 |
384250 ex+/ex
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Tracklist
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1 | Get Miles | 5:15 | 2 | Whippin' Piccadilly | 3:12 | 3 | Make No Sound | 3:26 | 4 | 78 Stone Wobble | 4:22 | 5 | Tijuana Lady | 7:08 | 6 | Here Comes The Breeze | 5:29 | 7 | Love Is Better Than A Warm Trombone | 3:29 | 8 | Get Myself Arrested | 4:04 | 9 | Free To Run | 4:31 | 10 | Bubble Gum Years | 3:20 | 11 | Rie's Wagon | 9:07 | 12 | The Comeback | 0:44 |
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Barcode and Identifiers
Barcode: 7 24384 55922 9 BarcodeString: 724384559229 Label CodeDisc: LC 3098 Label CodeSleeve: LC 13088 Price Code: PM: 538 Rights Society: bel BIEM Matrix / RunoutVariant 1: EMI UDEN 8455922 @ 1 Mastering SID CodeVariant 1: IFPI L047 Mould SID CodeVariant 1: IFPI AAH69 Matrix / RunoutVariant 2: EMI UDEN 8455922 @ 1 010130-NL Mastering SID CodeVariant 2: IFPI L047 Mould SID CodeVariant 2: ifpi 1538 Matrix / RunoutVariant 3: EMI UDEN 8455922 @ 1 1-1-16-NL Mastering SID CodeVariant 3: IFPI L047 Mould SID CodeVariant 3: ifpi 15D9 Matrix / RunoutVariant 4: EMI UDEN 8455922 @ 1 010206-NL Mastering SID CodeVariant 4: IFPI L047 Mould SID CodeVariant 4: ifpi 1535 Matrix / RunoutVariant 5: EMI UDEN 8455922 @ 1 010206 Mastering SID CodeVariant 5: IFPI L047 Mould SID CodeVariant 5: IFPI AAHG7 Matrix / RunoutVariant 6: EMI UDEN 8455922 @ 1 1-1-12-NL Mastering SID CodeVariant 6: IFPI L047 Mould SID CodeVariant 6: ifpi 15D4 Matrix / RunoutVariant 7: EMI UDEN 8455922 @ 1 1-1-22-NL Mastering SID CodeVariant 7: IFPI L047 Mould SID CodeVariant 7: ifpi 1516 Matrix / RunoutVariant 8: EMI UDEN 8455922 @ 1 1-1-20-NL Mastering SID CodeVariant 8: IFPI L047 Mould SID CodeVariant 8: ifpi 15A5
Credits Art Direction - Blue Source Engineer - Ken Nelson Illustration - Reggie Pedro Mastered By - Frank Arkwright Photography By [Band Photo] - Scarlet Page Producer - Gomez Written-By, Performer - Ben Ottewell, Ian Ball, Olly Peacock, Paul Blackburn, Tom Gray
Notes Recorded on Merseyside. Mastered at The Townhouse.
The copyright in this recording is owned by Virgin Records Ltd. ℗ 1998 Virgin Records Ltd. © 1998 Virgin Records Ltd. Made in the EU. Printed in the EU.
Includes an 8-page booklet.
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: Europe |
Release Date: 1998-04-13 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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