| Title |
Price |
GBP |
Media |
Condition |
Label |
| Intuit |
3.21 |
|
CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Souterrain Transmissions SOU002 |
| Item Number: 2247177664 2077 |
nm/nm 361490
|
Tracklist
|
| 1 | Melectric | 4:19 | | 2 | I Say Fever | 4:30 | | 3 | Clover | 5:24 | | 4 | Russia | 3:16 | | 5 | Going Once, Going Twice | 5:43 | | 6 | Salt Sack | 3:58 | | 7 | Boy Ant | 0:55 | | 8 | Always Right | 4:55 | | 9 | The Darkest Day | 4:15 | | 10 | Bellyfulla | 3:38 | | 11 | Diamond Shovel | 3:29 |
|
Barcode and Identifiers
Barcode: 673790 024961
ASIN: B002GAK476
Label Code: LC20296
Matrix / Runout: www.handlewithcare.de SOU002P A971891-01
Mastering SID Code: ifpi L572
Mould SID Code: IFPI 9726
Rights Society: GEMA
Credits
Acoustic Guitar - Brian Arakelian (Tracks: 10)
Artwork - Theo Ellsworth
Banjo - Jason Leonard (Tracks: 8)
Bass - Jay Winebrenner (Tracks: 1)
Bass [Upright] - Michael Papillo (Tracks: 6, 8)
Bassoon - Friedrich Brückner (Tracks: 9)
Cello - Dave Depper (Tracks: 8)
Choir - Alva Bostick (Tracks: 10), Amy Smidebush (Tracks: 10), Colleen Sovory (Tracks: 10), Kai Gross (Tracks: 10), Sarah Lewis (Tracks: 10), Soren Anders (Tracks: 10)
Drums - Benjamin Weikel (Tracks: 3), Janet Weiss (Tracks: 2), Kevin O'Connor (Tracks: 9), Mark Shirazi (Tracks: 1, 10), Paul Alcott (Tracks: 4), Scott Magee (Tracks: 8), Stefan Nadelman (Tracks: 5)
Electric Guitar - John Askew (Tracks: 6), Matt Sheehy (Tracks: 8), Mike Visser (Tracks: 3)
Guitar - Ritchie Young (Tracks: 8)
Mandolin - Laurel Simmons (Tracks: 8)
Mastered By - Alan Douches
Performer - Brent Knopf
Recorded By, Mixed By - Brent Knopf (Tracks: 1 to 10), Jeff Stuart Saltzman (Tracks: 11)
Trombone - Eric Day (Tracks: 6)
Viola - Amanda Lawrence (Tracks: 8), Lisa Molinaro (Tracks: 9)
Violin - Larah Eksteen (Tracks: 4)
Vocals - Jade Eckler (Tracks: 8)
Voice - Bonnie Knopf (Tracks: 3), Cherilyn MacNeil (Tracks: 3, 8), Kelly Brickner (Tracks: 5), Liam Palmer (Tracks: 3), Matt Sheehy (Tracks: 2, 5), Mirah Yom Tov Zeitlyn (Tracks: 5, 9), Ritchie Young (Tracks: 8), Sayard Egan (Tracks: 9)
Notes
1-10 recorded and mixed by Brent Knopf at The Whimsy Room (PDX), Moose Forest Studio (NYC), The Organ House (PDX), The Knitting Factory (NYC), and Friends' homes, churches, and practice rooms
11 recorded and mixed by Jeff Stuart Salzman
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
|
|
| Release Country: Germany |
| Release Date: 2009-08-24 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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