Title |
Price |
GBP |
Media |
Condition |
Label |
Dizzy Heights |
3.35 |
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CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Epic 4866402 |
Item Number: 2762160565 1869 |
383969 nm/nm
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Tracklist
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1 | Imaginary Friends | 2:44 | 2 | You Bet Your Life | 3:34 | 3 | Waiting For Today To Happen | 3:34 | 4 | What If... | 3:23 | 5 | Sugar Coated Iceberg | 3:53 | 6 | Touch And Go | 3:53 | 7 | Like You Do | 3:23 | 8 | Wishaway | 3:17 | 9 | Fingers And Thumbs | 3:21 | 10 | You Showed Me | 4:08 | 11 | Ready Or Not | 3:50 | 12 | Fishes On The Line | 3:54 |
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Barcode and Identifiers
Barcode: 5 099748 664020 BarcodeString: 5099748664020 Label Code: LC 0199 Rights Society: MCPS/BIEM/SDRM Manufacturing code: 01-486640-10 Sony format code: CX Sony format code: CDC Price Code: CB 701 Matrix / RunoutVariant 1: S0148664010-0101 31 A4 Mastering SID CodeVariant 1: IFPI L551 Matrix / RunoutVariant 2: Sony Music S0148664010-0101 31 B6 Mastering SID CodeVariant 2: IFPI L551 Mould SID CodeVariant 2: IFPI 94E7 Matrix / RunoutVariant 3: Sony Music S0148664010-0101 31 A1 Mastering SID CodeVariant 3: IFPI L551 Mould SID CodeVariant 3: IFPI 94B8 Matrix / RunoutVariant 4: Sony Music S0148664010-0101 31 B3 Mastering SID CodeVariant 4: IFPI L551 Mould SID CodeVariant 4: IFPI 94C0 Matrix / RunoutVariant 5: Sony Music S0148664010-0101 31 A3 Mastering SID CodeVariant 5: IFPI L551 Mould SID CodeVariant 5: IFPI 94Y8 Matrix / RunoutVariant 6: Sony Music S0148664010-0101 31 B2 Mastering SID CodeVariant 6: IFPI L551 Mould SID CodeVariant 6: IFPI 94Y7 Matrix / RunoutVariant 7: Sony Music S0148664010-0101 31 A8 Mastering SID CodeVariant 7: IFPI L551 Mould SID CodeVariant 7: IFPI 94E9 Matrix / RunoutVariant 8: Sony Music S0148664010-0101 35 A7 Mastering SID CodeVariant 8: IFPI L555 Mould SID CodeVariant 8: IFPI 949B Matrix / RunoutVariant 9: Sony Music S0148664010-0101 35 A6 Mastering SID CodeVariant 9: IFPI L555 Mould SID CodeVariant 9: IFPI 94E9
Credits Backing Vocals - Angie Pollock, Carl Brown, Martyn Campbell, Paul Roberts, Terry Hall Bass - Martyn Campbell Drums - Chris Sharrock Engineer [Additional Engineering] - Cenzo Townshend, Jon Gray, Kenny Patterson Engineer [Assisted] - Ian McFarlane Management - John Reid Mixed By - David Bascombe Organ [Hammond], Piano - Clive Layton Photography By - John Ross Producer - David Bascombe, Ian Broudie, Simon Rogers Programmed By, Keyboards - Simon Rogers
Notes This release has a price code of CB 701, for the release with identical matrix and a price code of CB 791 it's Dizzy Heights
Designed and directed at Mark Farrow Design.
℗ & © 1996 Sony Music Entertainment (UK) Ltd. Original sound recording made by Sony Music Entertainment (UK) Ltd.
All tracks published by Chrysalis Music Ltd. except: Tracks 1, 4 and 7 published by Chrysalis Music Ltd / BMG Music Publishing Ltd. Track 3 published by Chrysalis Music Ltd / Sony Music Publishing. Track 10 published by Tro Essex Music Ltd.
Dizzy Heights is an earlier pressing with a lower sequential number in the matrix.
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: UK & Europe |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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