Title |
Price |
GBP |
Media |
Condition |
Label |
Sound Of Water |
3.22 |
|
CD |
Very Good Plus (VG+)/Near Mint (NM or M-) |
Mantra Recordings MNTCD1018 |
Item Number: 2745693802 2104 |
382955 nm/ex+
![](https://s3.amazonaws.com/musicstack/release/m/c7dd271288f165bf9b497040aa8a0dc6.jpg) |
Tracklist
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1 | Late Morning | 4:13 | 2 | Heart Failed (In The Back Of A Taxi) | 3:41 | 3 | Sycamore | 3:46 | 4 | Don't Back Down | 4:49 | 5 | Just A Little Overcome | 3:41 | 6 | Boy Is Crying | 3:52 | 7 | Aspects Of Lambert | 3:30 | 8 | Downey CA. | 4:24 | 9 | How We Used To Live | 9:02 | 10 | The Place At Dawn | 1:47 |
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Barcode and Identifiers
BarcodeScanned: 609008101827 Barcode: 6 09008 10182 7 Label Code: LC 05485 Matrix / RunoutMirrored: D6810 MNTCD 1018 Mastering SID CodeVariant 1, 2, 3, 5: IFPI L123 Mould SID CodeVariant 1: ifpi 2307 Mould SID CodeVariant 2: ifpi 2318 Mould SID CodeVariant 3: ifpi 2341 Mould SID CodeVariant 4: ifpi 2324 Mould SID CodeVariant 5: ifpi 2315 Variants 3 & 4: NIMBUS logo is between SID codes
Credits Arranged By - Gerard Johnson, Sean O'Hagan, To Rococo Rot Backing Vocals - Charlotte Hodson, Mitch Stevens Co-producer, Engineer, Mixed By - Gerard Johnson Design - Philip Lee Double Bass [Upright Bass], Electric Bass - Edgar Jones Drums - John Miller Guitar - Jez Williams Illustration - Julian Opie Liner Notes - Simon Reynolds Percussion - Stuart Reid Performer - Gerard Johnson, Ronald Lippok, Sean O'Hagan, Stefan Schneider Performer [Gosseskin Outburst] - Shoichi Kajino Producer - Saint Etienne Recorder [Recorders] - David Lawes Voice - Nathan Bennett Written By - Cracknell / Stanley / Wiggs Written-By - Bob Stanley, Pete Wiggs, Sarah Cracknell
Notes Gerard Johnson, Ronald Lippok, Sean O'Hagan, Stefan Schneider are credited collectively as: "Saint Etienne is Sarah Cracknell, Bob Stanley, Pete Wiggs augmented by ..." on: Kwai Piano, Wurlitzer, Jomox Drum Machine, Akai MPC 3000, Moog Sonic Six, Waldorf Microwave, Siel Cruise, Accordion, Vibes, Guitars, Drums and Electric Bass
Recorded at Amber Studios, Berlin Mixed at Protocol, London
Made in England ℗ 2000 Mantra Recordings. © 2000 Mantra Recordings.
12-page booklet with drawings and credits
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Release Country: UK |
Release Date: 2000 |
Shipping Methods: Denmark: (please have in mind we don't offer day to day shipping in Denmark): CDs or 7”s: 1 : €5 CDs or 7”s: 2-4 : €6 CDs or 7”s: 5-18 : €8 LPS: 1 :€7 LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy: full refund if the buyer is not satisfied
Grading of Items: we grade our records after the record collector magazine mint near mint ex vg+ vg etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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