| Title |
Price |
GBP |
Media |
Condition |
Label |
| 1989-1999 |
3.21 |
|
CD |
Very Good Plus (VG+)/Near Mint (NM or M-) |
Roadrunner Records RR85802 |
| Item Number: 2081204771 344219 |
nm/ex+ name gently written on backside of booklet, KH gently etched into runout [344219]
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Tracklist
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| 1 | Here I Am, Here I Stay | 5:22 | | 2 | Depression | 5:57 | | 3 | Plexiglass Gate | 5:09 | | 4 | 3 Companions | 3:23 | | 5 | Drowning | 5:59 | | 6 | Dancing With The Devil | 6:01 | | 7 | Step Aside | 6:28 | | 8 | Colorblind | 4:41 | | 9 | March Of The S.O.D. / Sgt. "D" And The S.O.D. | 4:14 | | 10 | Coffee Break | 5:10 | | 11 | Redemption Song | 3:58 | | 12 | How It Would Be '97 | 5:48 | | 13 | Tangerine (Re-Zep) | 3:28 | | 14 | Lost At 22 (Live) | 3:44 | | 15 | I Regret (Live) | 4:24 |
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Barcode and Identifiers
Barcode: 0 16861 85802 5
Distribution Code: 8085802RR
Distribution Code: R1179.2
Price Code: CB 831
Label Code: LC 09231
Rights Society: ASCAP
Rights Society: BMI
Matrix / RunoutVariant 1: ['Sonopress' logo] A-17095/ RR85802 A
Mastering SID CodeVariant 1: IFPI L0 30
Mould SID CodeVariant 1: IFPI 0713
Matrix / RunoutVariant 2: ['Sonopress' logo] A-17095/ RR85802 A
Mastering SID CodeVariant 2: IFPI L0 30
Mould SID CodeVariant 2: IFPI 0798
Matrix / RunoutVariant 3: ['Sonopress' logo] A-17095/ RR85802 03
Mastering SID CodeVariant 3: IFPI LB 45
Mould SID CodeVariant 3: IFPI 0722
Credits
Compiled By - Alan Robert, Monte Conner
Design - Modino Graphics
Drums - Dan Richardson (Tracks: 9, 12, 15), Eric Chan (Tracks: 1, 2), Kenny Pedersen (Tracks: 7, 8), Mike Palmeri (Tracks: 3, 6), Sal Abruscato (Tracks: 10)
Liner Notes - Alan Robert, Joey Z., Keith Caputo
Lyrics By - Alan Robert (Tracks: 1 to 3, 5 to 8, 14, 15), Keith Caputo (Tracks: 4, 10, 12)
Mixed By - Alan Robert (Tracks: 4), Michael Marciano (Tracks: 4), Phil Nicolo (Tracks: 14, 15), Steve Thompson & Michael Barbiero (Tracks: 10, 11)
Music By - Alan Robert (Tracks: 1 to 8, 12, 14, 15), Dan Richardson (Tracks: 12), Joey Z. (Tracks: 1 to 8, 12), Keith Caputo (Tracks: 4, 10, 12, 14), Sal Abruscato (Tracks: 10, 14, 15)
Performer [Life Of Agony Was], Bass, Vocals - Alan Robert
Performer [Life Of Agony Was], Guitar - Joey Z.
Performer [Life Of Agony Was], Lead Vocals - Keith Caputo
Photography - Friends And Family
Photography By - Giovanni Reda, Hans-Martin Issler, Linda Aversa
Producer - Life Of Agony (Tracks: 14, 15), Steve Thompson (Tracks: 10, 11)
Producer, Mixed By - Andy Kravitz (Tracks: 12, 13), Life Of Agony (Tracks: 12, 13)
Recorded By - Josh Silver (Tracks: 1 to 8)
Recorded By, Mixed By - Life Of Agony (Tracks: 9), Paul Crook (Tracks: 9)
Remix - Alan Robert (Tracks: 1, 2), Michael Marciano (Tracks: 1, 2)
Notes
Released in standard jewel case with hype sticker on the front: "Featuring previously unreleased and rare tracks".
This CD is a collection of rare demos (recorded prior to "River Runs Red") and hard-to-find B-sides & bonus tracks, all spanning Life Of Agony's entire 10 year career.
Tracks 1 & 2 are from L.O.A.'s 4th demo "The Stain Remains". Recorded at Sty In The Sky, Brooklyn, NY - May 1991. Remixed by Michael Marciano and Alan Robert at Systems Two, Brooklyn, NY - September 1999.
Track 3 is from August '92 pre-production/writing sessions - never officially released on demo, but it did appear on the 1993 compilation "East Coast Assault" (Too Damn Hype Records). Recorded at Sty In The Sky, Brooklyn, NY - August 1992.
Track 4 is from August '92 pre-production/writing sessions - never officially released on demo. Recorded at Sty In The Sky, Brooklyn, NY - August 1992. Mixed by Michael Marciano and Alan Robert at Systems Two, Brooklyn, NY - September 1999.
Track 5 is taken from August '92 pre-production/writing sessions - never officially released on demo. Recorded at Sty In The Sky, Brooklyn, NY - August 1992.
Track 6 is taken from August '92 pre-production/writing sessions - never officially released on demo. Recorded at Sty In The Sky, Brooklyn, NY - August 1992. Parts of this song were later used in "Other Side Of The River".
Tracks 7 & 8 are taken from L.O.A.'s 2nd demo 'Step Aside'. Recorded at Sty In The Sky, Brooklyn, NY - June 1990.
Track 9 was recorded for an S.O.D. tribute album that never came out. Recorded and mixed by Paul Crook with Life Of Agony at Krusty's Funhouse, Yonkers, NY - July 1997. Lead vocals by Joey Z.
Tracks 10 & 11 originally appeared as bonus tracks on the "Ugly" limited edition tin box CD.
Track 12 originally appeared as a B-side on the "Weeds" slimline CD single. Recorded at The Amazing Barn, Conshohocken, PA - June 1997.
Track 13 originally appeared as a B-side on the "Weeds" 7" single. Recorded at The Amazing Ba
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 1999 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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