| Title |
Price |
GBP |
Media |
Condition |
Label |
| Inside Story |
7.52 |
|
LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Manhattan Records 0622406431 |
| Item Number: 2081164061 301769 |
ex+/ex, with inner [301769]
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Tracklist
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| A1 | I'm Not Perfect (But I'm Perfect For You) | 3:57 | | A2 | Hollywood Liar | 3:50 | | A3 | Chan Hitchhikes To Shanghai | 4:33 | | A4 | Victor Should Have Been A Jazz Musician | 4:42 | | A5 | Party Girl | 3:44 | | B1 | Crush | 3:27 | | B2 | Barefoot In Beverly Hills | 4:07 | | B3 | Scary But Fun | 3:55 | | B4 | White Collar Crime | 4:59 | | B5 | Inside Story | 4:31 |
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Barcode and Identifiers
Barcode: 5 099924 064316
BarcodeScanned EAN: 5099924064316
Label Code: LC 7365
Price CodeFrance:: PM 264
Embossed stamp on rear cover bottom right: EMI
Rights Society: BIEM/STEMRA
Matrix / RunoutSide A, variant 1, stamped: 2406431-A3
Matrix / RunoutSide B, variant 1, stamped: 2406431-B2
Matrix / RunoutSide A, variant 2, stamped: 2406431-A2
Matrix / RunoutSide B, variant 2, stamped: 2406431-B2
Credits
Alto Saxophone [Borneo Horns] - Stan Harrison
Arranged By [All Songs Arranged By] - Bruce Woolley, Nile Rodgers
Artwork By [Cover Art] - Richard Bernstein
Baritone Saxophone, Flute [Borneo Horns] - Steve Elson
Composed By - Bruce Woolley, Grace Jones
Edited By [Digitally Edited By] - Barry Diament
Engineer [Second] - Knut Bøhn, Scott Ansell
Mastered By - Greg Calbi
Other [Being There] - P.Y. Jones
Other [Made It Happen] - Bruce Garfield
Producer - Nile Rodgers
Producer [With] - Grace Jones
Production Manager - Budd Tunick
Recorded By, Mixed By - James Farber
Sequenced By [Sequencing By], Drum Programming - Kevin Jones
Tenor Saxophone [Borneo Horns] - Lenny Pickett
Trumpet, Flugelhorn, Euphonium [Double Bell Euphonium] - Mac Gollehon
Written-By [All Songs Written By] - Bruce Woolley, Grace Jones
Notes
Record housed in a printed inner sleeve.
℗ 1986 Manhattan Records, a division of Capitol Records, Inc.
Printed in holland by EMI Services Benelux B.V., Uden
En France: distribution exclusive EMI Pathé Marconi S.A.
DMM is a trademark of TELDEC
Made in EEC
Digitally recorded & mixed at Skyline Studios, New York
Digitally edited [...] at Atlantic Studios, New York
Mastered [...] at Sterling Sound, New York
All PCM digital recording equipment by Sony Digital Interfacing.
Sequencing & drum programming [...] on Synclavier II System
©® 1986 Manhattan Records
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 1986 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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