Donna Summer
Title Price GBP  Media  Condition  Label 
Bad Girls 32.51  CD  Mint (M)/Mint (M)  Mercury 0602498012406
Item Number: 2709124153 2104

380815 still sealed


            
            
            
            
            
            
            
            
            
            
            
            




Tracklist
 
Bad Girls Remastered
1-1Hot Stuff5:14
1-2Bad Girls4:55
1-3Love Will Always Find You3:59
1-4Walk Away4:29
1-5Dim All The Lights4:40
1-6Journey To The Center Of Your Heart4:36
1-7One Night In A Lifetime4:12
1-8Can't Get To Sleep At Night4:42
1-9On My Honour3:32
1-10There Will Always Be A You5:03
1-11All Through The Night5:58
1-12My Baby Understands3:58
1-13Our Love4:52
1-14Lucky4:37
1-15Sunset People6:27
Bonus Track
1-16Bad Girls (Demo Version)4:00
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12" Singles & More
2-1I Feel Love (12" Version)8:15
2-2Last Dance (12" Version)8:11
2-3Mac Arthur Park Suite17:35
2-4Hot Stuff (12" Version)6:47
2-5Bad Girls (12" Version)4:55
2-6Walk Away (12" Version)7:15
2-7Dim All The Lights (12" Version)7:12
2-8No More Tears (Enough Is Enough) (12" Version)11:44
2-9On The Radio (Long Version)7:35


Barcode and Identifiers
Barcode: 0 602498 012406
BarcodeScanned: 602498012406
Label Code: LC08427
Rights Society: BIEM/MCPS
Matrix / RunoutDisc One: 06024 980 124-1 01 / 51398918
Matrix / RunoutDisc One: MADE IN GERMANY BY UNIVERSAL M & L A
Mastering SID CodeDisc One: IFPI L001
Mould SID CodeDisc One: IFPI 0112
Matrix / RunoutDisc Two: 06024 980 124-2 01 # 51398921
Matrix / RunoutDisc Two: MADE IN GERMANY BY UNIVERSAL M & L A
Mastering SID CodeDisc Two: IFPI L008
Mould SID CodeDisc Two: IFPI 0134


Credits
Arranged By - Harold Faltermeyer (Tracks: 1-1 to 1-16, 2-5 to 2-7, 2-9)
Backing Vocals - Julia Tillman Waters (Tracks: 1-1 to 1-16), Maxine Willard Waters (Tracks: 1-1 to 1-16), Stephanie Spruill (Tracks: 1-1 to 1-16, 2-9)
Bass - Bob Glaub (Tracks: 1-1 to 1-16), Scott Edwards (Tracks: 1-1 to 1-16)
Bass, Synthesizer - Harold Faltermeyer (Tracks: 1-1 to 1-16)
Compilation Producer - Bill Levenson
Drums, Percussion - Keith Forsey (Tracks: 1-1 to 2-1, 2-3, 2-9)
Engineer [Assistant] - Carolyn Tapp (Tracks: 1-1 to 1-16)
Engineer [Mixing] - Jürgen Koppers (Tracks: 1-1 to 1-16, 2-3)
Engineer [Original Mastering] - Brian Gardner (Tracks: 1-1 to 1-16)
Engineer [Recording] - Jürgen Koppers (Tracks: 1-1 to 1-16, 2-2, 2-3, 2-5 to 2-7), Steven D. Smith (Tracks: 1-1 to 1-16, 2-2, 2-3, 2-5 to 2-7)
Guitar - Jay Graydon (Tracks: 1-1 to 1-16, 2-3, 2-8), Jeff Baxter (Tracks: 1-1 to 1-16, 2-8), Paul Jackson Jr. (Tracks: 1-1 to 1-16)
Guitar [Pull], Pedal Steel Guitar - Al Perkins (Tracks: 1-1 to 1-16)
Mastered By - Ellen Fitton
Piano - Harold Faltermeyer (Tracks: 1-1 to 1-16, 2-9), Jai Winding (Tracks: 1-1 to 1-16)
Producer - Giorgio Moroder (Tracks: 1-1 to 2-7, 2-9), Pete Bellotte (Tracks: 1-1 to 2-7)
Saxophone - Gary Herbig (Tracks: 1-1 to 1-16, 2-3, 2-9)
Strings, Concertmaster - Sidney Sharp (Tracks: 1-1 to 1-16, 2-3, 2-9)
Trombone - Bill Reichenbach (Tracks: 1-1 to 1-16, 2-3, 2-9), Dick Hyde (Tracks: 1-1 to 1-16, 2-3)
Trumpet - Gary Grant (Tracks: 1-1 to 1-16), Jerry Hey (Tracks: 1-1 to 1-16, 2-9), Steve Madaio (Tracks: 1-1 to 1-16, 2-3, 2-9)

Notes
℗2003 The Island Def Jam Music Group © 2003 The Island Def Jam Music Group, a division of UMG Recordings, Inc. Courtesy of The Island Def Jam Music Group under license from Universal Music Enterprises.
Made in the EU.

Bad Girls remastered:
Bad Girls originally released on vinyl in 1979, NBLP-2-7150.

12" Singles & More:
Track 2-1 originally released on the I Feel Love / Theme From The Deep (Down, Deep Inside) 12" single, NBD 20104 in July 1977.
Track 2-2 originally released on the Last Dance 12" promotional single, NBD 20122 DJ in May 1978.
Track 2-3 originally released on the Mac Arthur Park Suite 12" single, NBD 20148 in December 1978.
Tracks 2-4 and 2-5 originally released on the Hot Stuff / Bad Girls 12" single NBD 20167 in May 1979.
Track 2-6 originally released on the Walk Away 12" promotional single NBD 20226 DJ in October 1980.
Track 2-7 originally released on the Dim All The Lights 12" promotional single NBD 20193 DJ in September 1979.
Track 2-8 originally released on the No More Tears (Enough Is Enough) 12" single NBD 20199 in October 1979.
Track 2-9 originally released on the Foxes (Original Soundtrack) 2xLP album NBLP-2-7206 in January 1980.

The "Walk Away" 12 inch version on CD 2 is mono on the 2003 remaster. It's a major production fault during the mastering process in 2003. But apart from the mono fault on this track, it's not clear why Universal didn't include the full-length promotional version of 8:30 minutes.

The 12 inch version of 'McArthur Park' is a slightly different mix to the album version. Not clear why Moroder/Belotte made these alterations in 1978 for the 12 inch version (which was a US promo release only). The reason could be that during that time the single "Heaven Knows" was released too. The 7 inch version combines the vocals from Donna Summer's "Live and More" album with the instrumental track from Brooklyn Dreams' "Sleepless Nights" album (on which Joe Esposito sings the lead vocal and Brooklyn Dreams sing the chorus). Bob Esty arranged and produced the "Sleepless Nights" album and also mixed the 7 inch version of "Heaven Knows" (


Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: Europe
Release Date: 2003

Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:

CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

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registered shipping: up to 2kgs €20


Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

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