| Title |
Price |
USD |
Media |
Condition |
Label |
| Duets |
3.25 |
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CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
MCA Nashville 0602517328099 |
| Item Number: 2758079812 1869 |
383748 nm/nm
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Tracklist
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| 1 | When You Love Someone Like That | 4:41 | | 2 | Does The Wind Still Blow In Oklahoma? | 4:38 | | 3 | Because Of You | 3:46 | | 4 | Faith In Love | 3:49 | | 5 | She Can't Save Him | 3:04 | | 6 | Everyday People | 3:36 | | 7 | Every Other Weekend | 4:05 | | 8 | These Broken Hearts | 4:27 | | 9 | Sleeping With The Telephone | 3:34 | | 10 | The Only Promise That Remains | 5:08 | | 11 | Break Each Other's Hearts Again | 3:39 |
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Barcode
Barcode: 6 02517 32809 9
Credits
Acoustic Guitar - Ilya Toshinsky (Tracks: 2 to 5, 7 to 10), Tom Bukovac (Tracks: 10, 11)
Art Direction, Design - Craig Allen
Bass - Glenn Worf (Tracks: 3, 5), Jimmie Lee Sloas (Tracks: 2, 7 to 9), Leland Sklar (Tracks: 1, 6, 11)
Booking - Rod Essig
Drums - Greg Morrow (Tracks: 2, 7 to 9), Paul Leim (Tracks: 3, 5), Russ Kunkel (Tracks: 1, 6, 11)
Edited By [Digital Editing By] - Brian David Willis, Richard Davis, Tony Castle
Electric Guitar - Tom Bukovac (Tracks: 1 to 10)
Fiddle - Aubrey Haynie (Tracks: 2, 7, 10)
Management - Narvel Blackstock
Mandolin - Aubrey Haynie (Tracks: 3 to 5, 8 to 10)
Mastered By - Adam Ayan
Mixed By - Chuck Ainlay (Tracks: 3, 4, 9), Derek Bason (Tracks: 2, 7, 8), Steve MarcAntonio (Tracks: 1, 6)
Mixed By [Assisted By] - Chris Ashburn (Tracks: 2, 7, 8), J.C. Monterrosa (Tracks: 1, 6), Jim Cooley (Tracks: 3, 4, 9)
Organ [B-3] - Jimmy Nichols (Tracks: 9), Matt Rollings (Tracks: 1), Steve Nathan (Tracks: 2, 7, 8)
Other [Hair & Makeup] - Brett Freedman
Other [Production Assistant] - Amy Garges
Other [Wardrobe & Stylist] - Terry Gordon
Photography By - Marc Baptiste
Piano - Jimmy Nichols (Tracks: 7), John Jarvis (Tracks: 2 to 5, 9), Matt Rollings (Tracks: 1, 6, 11)
Producer - Reba McEntire, Tony Brown (Tracks: 1 to 9, 11)
Recorded By - Al Schmitt (Tracks: 6, 11), Chuck Ainlay (Tracks: 3 to 5, 10), Derek Bason (Tracks: 2, 7 to 9)
Recorded By [Additional Recording By] - Ben Fowler (Tracks: 4 to 6, 9, 11), Derek Bason (Tracks: 1, 2, 10), Jeff Balding (Tracks: 5, 6, 11)
Recorded By [Additional Recording B - Kyle Lehning
Notes
℗ & © 2007 MCA Nashville, 60 Music Square East, Nashville, TN 37203. Manufactured and distributed in the United States by Universal Music Distribution.
The back insert lists only artists per track, but no track titles.
1: Recorded at Record Plant Studios (Hollywood, CA)
2, 3, 4, 5, 7, 8, 9, 10: Recorded at Starstruck Studios (Nashville, TN)
6, 11: Recorded at Capitol Studios (Hollywood, CA)
1, 3, 4, 5, 6, 7, 9, 10, 11: Additional Recording at Starstruck Studios (Nashville, TN)
2: Additional Recording at Cyber Ranch (Nashville, TN)
4, 5, 6, 9: Additional Recording at Masterfonics (Nashville, TN)
9: Additional Recording at Blackbird Studios (Nashville, TN)
10: Additional Recording at Henson Recording Studios (Hollywood, CA)
11: Additional engineering at Panhandle House (Denton, TX)
1, 6: Mixed at Sound Kitchen (Franklin, TN)
2, 7, 8: Mixed at Starstruck Studios (Nashville, TN)
3, 4, 9: Mixed at Sound Stage Studios (Nashville, TN)
5: Mixed at The Sound Station (Nashville, TN)
10: Mixed at Oz Recording Studios (Valencia, CA)
11: Mixed at Blackbird Studios (Nashville, TN)
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 2007 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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