| Title |
Price |
USD |
Media |
Condition |
Label |
| Lone Justice |
5.42 |
|
LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Geffen Records GHS24060 |
| Item Number: 2081209328 346967 |
ex/ex, with inner [346967]
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Tracklist
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| A1 | East Of Eden | 2:36 | | A2 | After The Flood | 3:38 | | A3 | Ways To Be Wicked | 3:26 | | A4 | Don't Toss Us Away | 4:19 | | A5 | Working Late | 2:44 | | B1 | Sweet, Sweet Baby (I'm Falling) | 4:10 | | B2 | Pass It On | 3:38 | | B3 | Wait 'Til We Get Home | 3:17 | | B4 | Soap, Soup And Salvation | 4:01 | | B5 | You Are The Light | 3:59 |
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Barcode and Identifiers
BarcodeScanned: 075992406017
Barcode: 0 7599-24060-1
Matrix / RunoutSide A runout etched, logo stamped, variant 1: GHS-24060-ARE1 SH4 [Allied 'ɑ' logo] SLM △9227 B-20929-Re12 SH4 1-2 Precision SM SH-SP
Matrix / RunoutSide B runout etched, logo stamped, variant 1: GHS-24060-BRE1-SH3 [Allied 'ɑ' logo] B-20930-Re1-SH3 Precision SM SLM △9227-X 1-1 SH-SP
Matrix / RunoutSide A runout etched, logo stamped, variant 2: GHS - 24060 - ARE1 - SH 4 [Allied 'ɑ' logo] B-20929 - Re1 - SH4 SLM △ 9227 SP 1-1 Precision SM SH-SP
Matrix / RunoutSide B runout etched, logo stamped, variant 2: GHS- 24060 - BRE1 - SH3 [Allied 'ɑ' logo] B-20930 - Re1-SH3 Precision SM SLM △ 9227-X 1-1 0-1 SH-SP
Matrix / RunoutSide A runout etched, logo stamped, variant 3: GHS-24060-ARE1-SH4 [Allied 'ɑ' logo] B-20929-Re1-SH4 0-2 Precision SM SH-SP SLM△9227 SP
Matrix / RunoutSide B runout, etched, logo stamped, variant 3: GHS-24060-BRE1-SH4 [Allied 'ɑ' logo] B-20930-Re1-SH4 Precision SM SLM△9227-X SPO-1 SHSP
Pressing Plant IDSide B embossed around center hole: E A S T
Rights Society: BMI
Rights Society: ASCAP
Credits
Art Direction - Jeffrey Kent Ayeroff, Paula Greif
Bass, Backing Vocals [Background Vocals] - Marvin Etzioni
Coordinator [Production Coordinator] - Janet Weber
Crew - Chuck Reed
Design - Jeri McManus
Drums - Don Heffington
Engineer [Assistant Engineer] - Bill Jackson, Bruce Lampcov, Greg Droman, Stephen Shelton, Steve Hirsch, Steven Strassman
Engineer [Chief Engineer] - Shelly Yakus
Guitar, Backing Vocals [Background Vocals] - Ryan Hedgecock
Lacquer Cut By - Stephen Marcussen
Lead Vocals, Guitar, Harmonica - Maria McKee
Management - Carlyne Majer
Mastered By [Originally Mastered By] - Stephen Marcussen
Other [Hair] - Julien
Other [Make-up] - Michel Voyski
Other [Stylist] - Barbara Dente
Percussion [Percussion Overdubs] - Bobbye Hall
Photography By - Deborah Turbeville
Piano, Organ - Benmont Tench
Producer - Jimmy Iovine
Recorded By [Overdubs Recorded By] - Don Smith, Gabe Veltri, Greg Edward, Joe Chiccarelli, Shelly Yakus, Thom Panunzio
Notes
This is a [l=Specialty Records Corporation] (SRC) pressing denoted by "-SP" etched in runouts.
"E A S T" embossed around the center spindle hole on side B indicates metal parts were originally made for use at [l=Allied Record Company].
Issued on tan/cream pinstriped Geffen labels with no rimtext. A version with black Geffen labels also exists, at Lone Justice. A similar Allied pressing version with tan/cream labels also exists, at Lone Justice.
Recorded in America
A1, A2, A5. Recorded at Power Station, N.Y. Mixed at Village Recorders, L.A.
A3, B3. Recorded at Sunset Sound, L.A. Mixed at Village Recorders, L.A.
A4. Recorded at Sunset Sound, L.A. Mixed at Rumbo Recorders, L.A.
B1. Recorded and Mixed at Rumbo Recorders, L.A.
B2. Recorded at Rumbo Recorders, L.A. Mixed at Village Recorders, L.A.
B4. Recorded at Amigo Studios, Inc., L.A. Mixed at Sound City Studios, L.A.
B5. Recorded at Power Station, N.Y. Mixed at Rumbo Recorders, L.A.
Overdubs recorded at Sunset Sound, Village Recorders, Amigo Studios, Rumbo Recorders and Studio 55
Originally mastered at Precision Lacquer, L.A.
A1, A5, B5. Warner-Tamerlane Publishing Corp. / My Youth Music Adm. by Warner-Tamerlane Publishing Corp. BMI
A2, B2, B4. Little Diva Music Company / Warner-Tamerlane Publishing Corp., Safespace Music as admin. for Little Diva Music Company BMI
A3. Gone Gator Music / Wild Gator Music ASCAP
A4. Lionrich Music BMI
B1. Little Diva Music Company / Warner-Tamerlane Publishing Corp., Safespace Music as admin. for Little Diva Music Company BMI / Little Steven Music ASCAP / Blue Gator Music
B3. Little Diva Music Company BMI / Hedgecock Music / Warner-Tamerlane Publishing Corp., Safespace Music as admin. for Little Diva Music Company and Hedgecock Music BMI
A4. Thanks to my brother Bryan for his love and inspiration - Maria
This album is dedicated to the memory of Jimmy Iovine, Sr.
Issued in printed inner sleeve with photos and credits.
Made in U.S.A. Printed in U.S.A.
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: US |
| Release Date: 1985 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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