| Title |
Price |
GBP |
Media |
Condition |
Label |
| Mad Love |
4.34 |
|
LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Asylum Records AS52210 |
| Item Number: 2081206934 345703 |
ex-/ex+ [345703]
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Tracklist
|
| A1 | Mad Love | 3:40 | | A2 | Party Girl | 3:22 | | A3 | How Do I Make You | 2:25 | | A4 | I Can't Let Go | 2:44 | | A5 | Hurt So Bad | 3:17 | | B1 | Lookout For My Love | 3:29 | | B2 | Cost Of Love | 2:38 | | B3 | Justine | 4:00 | | B4 | Girls Talk | 3:22 | | B5 | Talking In The Dark | 2:12 |
|
Identifiers
Label Code: LC2648
Rights Society: n©b
Rights Society: BMI
Rights Society: ASCAP
Price CodeFrance: WE351
Price CodeGermany: Ⓤ
Matrix / RunoutLabel side A: 5 E-510 A
Matrix / RunoutLabel side B: 5 E-510 B
Matrix / RunoutRunout side A: WEA - 52210 - A- PF
Matrix / RunoutRunout side B: WEA - 52210 - B - × PF
Credits
Acoustic Guitar - Peter Bernstein (Tracks: B4)
Art Direction - John Kosh
Backing Vocals - Andrew Gold (Tracks: B3), Kenny Edwards (Tracks: B3), Linda Ronstadt (Tracks: A4, B1), Mark Goldenberg (Tracks: A1, A3, B2 ), Nicolette Larson (Tracks: A3, A4, B4), Rosemary Butler (Tracks: A4, B4), Waddy Wachtel (Tracks: A1, B2)
Bass - Bob Glaub
Design - John Kosh
Drums - Russ Kunkel
Electric Guitar - Dan Dugmore (Tracks: A1 to B1, B3 to B5), Danny Kortchmar, Mark Goldenberg (Tracks: A1 to A4, B2 to B5)
Keyboards - Bill Payne
Mastered By - Doug Sax, Mike Reese
Percussion - Peter Asher (Tracks: B4), Steve Forman (Tracks: B4)
Photography By - Peter Howe
Producer - Peter Asher
Recorded By - Val Garay
Recorded By [Assistant] - Niko Bolas
Resonator Guitar [Dobro] - Mike Auldridge (Tracks: B1)
Synthesizer - Michael Boddicker (Tracks: B5)
Tambourine - Peter Asher (Tracks: A4)
Notes
Centre labels:
Made In Germany by WEA Musik GmbH
A Warner Communications Company
AR
Track A1: Twist Party International BMI
Track A2: Plangent Visions Music Inc. ASCAP
Track A3: Billy Steinberg Music
Track A4: Blackwood Music Inc. BMI
Track B1: Silver Fiddle BMI
Track B2: Twist Party International BMI
Track B3: Twist Party International BMI
Track B4: Plangent Visions Music Inc. ASCAP
Track B5: Plangent Visions Music Inc. ASCAP
P 1980 Asylum Records
Sleeve:
Recorded at Record One, L.A.
Recorded October 24th. 1979 - January 10th. 1980
Mixed to the 3M digital mastering system
Mastered At the Martering Lab
Track A1, B2, B3: Copyright ⓒ 1979 by Twist Party International / BMI
Track A2, B4, B5: Copyright ⓒ 1979 by Plangent Visions Music Inc. / ASCAP
Track A3: Copyright ⓒ 1979 by Billy Steinberg Music
Track A4: Copyright ⓒ 1965 by Blackwood Music Inc. / BMI
Track A5: Copyright ⓒ 1965 by Vogue Music / BMI c/o the Welk Music Group, Santa Monica, CA 90401
Track B1: Copyright ⓒ 1977 by Silver Fiddle / BMI
Nicolette Larson and Billy Payne appear courtesy of Warner Bros. Records Inc.
Peter Bernstein and Mark Goldenberg appear courtesy of The Creytones and Planet Records.
Ⓟ & Ⓒ 1980 Elektra/Asylum Records
A Division of Warner Communications Inc.
Made in Germany by WEA Musik GmbH
A Warner Communications Company
Other info:
Lacquer cutting made at Tonstudio Pfanz (PF in runouts)
Etched runout
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Scandinavia |
| Release Date: 1980 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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