| Title |
Price |
USD |
Media |
Condition |
Label |
| Greatest Hits |
3.24 |
|
CD |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Columbia 88697530912 |
| Item Number: 2506933352 |
373177, nm/nm
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Tracklist
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| 1 | Blinded By The Light | 5:05 | | 2 | Rosalita (Come Out Tonight) | 7:03 | | 3 | Born To Run | 4:31 | | 4 | Thunder Road | 4:47 | | 5 | Badlands | 4:03 | | 6 | Darkness On The Edge Of Town | 4:29 | | 7 | Hungry Heart | 3:18 | | 8 | The River | 5:01 | | 9 | Born In The U.S.A. | 4:39 | | 10 | I'm On Fire | 2:34 | | 11 | Glory Days | 4:19 | | 12 | Dancing In The Dark | 4:01 | | 13 | The Rising | 4:47 | | 14 | Lonesome Day | 4:06 | | 15 | Radio Nowhere | 3:20 | | 16 | Long Walk Home | 4:36 | | Bonus Tracks | | | 17 | Because The Night (Live) | 5:22 | | 18 | Fire (Live) | 2:50 |
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Barcode and Identifiers
Barcode: 8 8697-53091-2 2
BarcodeScanned: 886975309122
Label Code: LC 00162
Rights Society: BIEM/GEMA
Matrix / RunoutVariant 1: Sony DADC A0101221914-0101 14 A07
Matrix / RunoutVariant 2: Sony DADC A0101221914-0101 14 A01
Matrix / RunoutVariant 3: Sony DADC A0101221914-0101 14 A04
Matrix / RunoutVariant 4: Sony DADC A0101221914-0101 14 A05
Matrix / RunoutVariant 5: Sony DADC A0101221914-0101 14 A07
Matrix / RunoutVariant 6: Sony DADC A0101221914-0101 02
Mastering SID CodeVariant 2, 3, 4, 5: IFPI L554
Mould SID CodeVariant 2: IFPI 945T
Mould SID CodeVariant 3: IFPI 945A
Mould SID CodeVariant 4: IFPI 946T
Mould SID CodeVariant 5: IFPI 942S
Mastering SID CodeVariant 6: IFPI LY34
Mould SID CodeVariant 6: IFPI AEW24
Matrix / RunoutVariant 7: Sony DADC A0101221914-0101 02
Mastering SID CodeVariant 7: IFPI LY34
Mould SID CodeVariant 7: IFPI AEW11
Credits
Art Direction, Design - Michelle Holme
Bass, Vocals - Garry Tallent
Booking [Agency] - Rob Light
Booking [Agent] - Barry Bell
Booking [Booking Agency] - Creative Artists Agency
Drums, Vocals - Max Weinberg
Electric Guitar, Acoustic Guitar, Mandolin, Vocals - Steve Van Zandt
Electric Guitar, Acoustic Guitar, Slide Guitar, Banjo, Dobro, Vocals - Nils Lofgren
Lead Vocals, Acoustic Guitar, Electric Guitar, Baritone Guitar, Lead Guitar, Bass, Harmonica, Mandolin, Recorder, Organ [Pump], Keyboards [Synth], Glockenspiel, Percussion - Bruce Springsteen
Legal - Allen Grubman, Arthur Indursky, Don Friedman, Mona Okada
Management - Allison Oscar, Barbara Carr, Jan Stabile, Jon Landau, Sophia Pecora
Management [Business] - Nancy Chapman, Patty Defrancesco, Teresa Polyak
Management [Publicity] - Marilyn Laverty, Shore Fire Media
Organ, Organ [B3], Glockenspiel, Piano, Keyboards, Accordion, Synthesizer, Vocals [Vox Continental], Organ [Farfisa], Vocals - Danny Federici
Other [Tour Direction] - George Travis
Photography By - Danny Clinch
Piano, Organ, Accordion, Glockenspiel, Synthesizer, Keyboards, Mellotron, Keyboards [Kurzweil], Organ [Pump], Synthesizer [Korg M1], Synthesizer [Crumar], Vocals - Roy Bittan
Saxophone [Saxophones], Percussion, Vocals - Clarence Clemons
Vocals - Patti Scialfa
Written-By - Bruce Springsteen
Notes
Variant 4 comes with a record company sticker on front which reads "2009 Limited Tour Edition"
1 - Produced for Laurel Canyon Ltd. / Recorded at 914 Studios, Blauvelt, NY / ℗1973 Bruce Springsteen
2 - Recorded at 914 Studios, Blauvelt, NY / ℗1973 Bruce Springsteen
3 - Recorded at 914 Studios, Blauvelt, NY / ℗2005 Bruce Springsteen
4 - Recorded at Record Plant Studio, New York, NY / ℗2005 Bruce Springsteen
5, 6 - Recorded at Record Plant, New York, NY / ℗1978 Bruce Springsteen
7, 8 - ℗1980 Bruce Springsteen
9, 10, 11, 12 - Recorded at the Power Station and the Hit Factory, New York, NY / ℗1984 Bruce Springsteen
13, 14 - Recorded at Southern Tracks Recording Studios, Atlanta, GA / ℗2002 Bruce Springsteen
15, 16 - Recorded and mixed at Southern Tracks Recording Studios, Atlanta, GA / Additional Recording at Henson Recording Studios, Hollywood, CA / Thrill Hill Recording, NJ / ℗2007 Bruce Springsteen
17 - Recorded at Nassau Coliseum, NY; 12/28/80 / ℗1986 Bruce Springsteen
18 - Recorded at Winterland, CA; 12/16/78 / ℗1986 Bruce Springsteen
All songs published by Bruce Springsteen (ASCAP).
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 2009 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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