| Title |
Price |
USD |
Media |
Condition |
Label |
| Living In The Past |
27.95 |
|
2LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Chrysalis CJT12001718 |
| Item Number: 2081154338 281113 |
ex/ex+/ex, gatefold [281113]
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Tracklist
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| A1 | Song For Jeffrey | | | A2 | Love Story | | | A3 | Christmas Song | | | A4 | Living In The Past | | | A5 | Driving Song | | | A6 | Bouree | | | B1 | Sweet Dream | | | B2 | Singing All Day | | | B3 | Witches Promise | | | B4 | Teacher | | | B5 | Inside | | | B6 | Just Trying To Be | | | C1 | By Kind Permission Of | | | C2 | Dharma For One | | | D1 | Wond'ring Again | | | D2 | Locomotive Breath | | | D3 | Life Is A Long Song | | | D4 | Up The 'Pool | | | D5 | Dr. Bogenbroom | | | D6 | From Later | | | D7 | Nursie | |
|
Identifiers
Cat# on record 1: 20017 CJT 1
Cat# on record 2: 20018 CJT 2
Matrix / RunoutLabel side A: TUL.101
Matrix / RunoutLabel side B: TUL.102
Matrix / RunoutLabel side C: TUL.103
Matrix / RunoutLabel side D: TUL.104
Matrix / RunoutRunout side A etched, Q ƧI ⑁I stamped: 2TS-2106-A 31480-1B 2CH-1035 E Q ƧI ⑁I I
Matrix / RunoutRunout side B etched, Q ƧI ⑁I stamped: 2TS-2106 B 31481-1B 2CH-1035 C Q ƧI ⑁I
Matrix / RunoutRunout side C etched, Q ƧI ⑁I stamped: 2TS-2106 31482-C 1A 2ƆH-1035 Q ƧI ⑁I ᘔ
Matrix / RunoutRunout side D: [none]
Credits
Acoustic Guitar - Ian Anderson (Tracks: B6, D1, D3 to D5, D7)
Artwork, Design - CCS
Bass - Glenn Cornick (Tracks: A1 to B5, C1 to D1), Jeffrey Hammond-Hammond (Tracks: D2 to D6)
Drums - Barriemore Barlow (Tracks: D3 to D6), Clive Bunker (Tracks: A1 to B5, C1 to D2)
Engineer - Andy Johns (Tracks: A2, A3, A6 to B4), John Burns (Tracks: C1, C2, D2), John Wood (Tracks: D3, D5, D6), Robin Black (Tracks: B5 to C2, D1), Vic Gamm (Tracks: A1, D3 to D7)
Executive-Producer - Terry Ellis
Flute - Ian Anderson (Tracks: A1, A2, A4 to B2, B4, B5, C1, C2, D2 to D6)
Guitar - Martin Barre (Tracks: A4 to B5, C1 to D6)
Organ [Hammond] - John Evan (Tracks: B3, D4, D6)
Percussion - Clive Bunker (Tracks: A2, A4, C2)
Photography By - Brian Ward, Ed Caraeff, Emerson-Loew, Jackie O'Lochlainn, Michael Graber, Ruan O'Lochlainn
Piano - John Evan (Tracks: B4, C1, D1 to D3, D5, D6)
Producer - Ian Anderson (Tracks: A4 to B6, D1 to D7), Jethro Tull (Tracks: A1 to A3), Terry Ellis (Tracks: A1 to B4, D2)
Remix [Directed By] - Ian Anderson
Remix [Engineer] - Robin Black
Vocals - Ian Anderson (Tracks: A1 to A5, B1 to B6, C2 to D7)
Written-By - Ian Anderson
Notes
- Released in a gatefold sleeve with stapled 8-sided booklet
- Pages 3 & 4 and pages 5 & 6 are sealed together on three sides to provide a pouch for the records.
- Cat# appears on spine only.
- No track duration printed on this release
Tracklisting as it appears on labels.
Track A6 printed as [Bourée] inside gatefold sleeve (twice).
Track B3 misspelled as [Witches Promise] on label and inside gatefold sleeve (twice).
Track D6 misspelled as [For Later] inside gatefold sleeve (twice).
Tracks C1, C2 recorded Live at Carnegie Hall, November 1970.
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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|
| Release Country: Israel |
| Release Date: 1972 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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