| Title |
Price |
GBP |
Media |
Condition |
Label |
| Living Chicago Blues Volume 5 |
9.73 |
|
LP |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Sonet SNTF841 |
| Item Number: 2871384388 2104 |
388840 ex+/ex cover has tiny stickertear - white on white
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Tracklist
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| A1 | Drown In My Own Tears | 4:39 | | A2 | Crying For My Baby | 2:47 | | A3 | Feel So Bad | 3:52 | | A4 | Wish Me Well | 2:54 | | A5 | Blues For A Real Man | 3:34 | | A6 | Thirteen Years In Prison | 3:04 | | B1 | Country Boy | 4:23 | | B2 | My Life Ain't The Same | 3:19 | | B3 | I Got News For You | 5:01 | | B4 | Morning, Noon And Night | 3:43 | | B5 | Two Years | 4:01 |
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Identifiers
Matrix / RunoutSide A Label: SNTF 841A
Matrix / RunoutSide B Label: SNTF 841B
Matrix / RunoutEtched, Side A: SNTF 841 A1
Matrix / RunoutEtched, Side B: SNTF 841 B1
Matrix / RunoutRunout Side A (Variant 2): SNTF 841 A1 H
Matrix / RunoutRunout Side B (Variant 2): SNTF 841 B1 B
Credits
Bass - Freddie Dixon (Tracks: A5 to B2), Snapper Mitchum (Tracks: A1 to A4), Spurling Banks (Tracks: B3 to B5)
Co-producer [Production Assistance], Engineer - Fred Breitberg
Design - Ross & Harvey Inc.
Drums - Casey Jones (Tracks: B3 to B5), David D. Anderson (Tracks: A1 to A4), Odie Payne (Tracks: A5 to B2)
Engineer [Assisted] - Eddie B. Flick
Guitar - Louis Myers (Tracks: A5 to B2), Otis Webster (Tracks: B3 to B5), Sebastian Danchin (Tracks: A1 to A4)
Keyboards - King Solomon (Tracks: A1 to A4), Roland Brown (Tracks: B3 to B5)
Liner Notes - Dick Shurman, Jim O'Neal, Steve Wisner
Photography By - Durward Shigley, Jim Matusik, Marc PoKempner, Paul Cooper
Piano - Pinetop Perkins (Tracks: A5 to B2)
Producer - Bruce Iglauer
Tenor Saxophone - Charles Smith (Tracks: B3 to B5)
Trumpet - Al Lewis (Tracks: B3 to B5)
Vocals, Guitar - Andrew Brown (Tracks: B3 to B5), Lacy Gibson (Tracks: A1 to A4)
Vocals, Harmonica - Big Leon Brooks (Tracks: A5 to B2)
Notes
These three albums are dedicated to the late Tony Gooden, whose music contributed to the Son Seals Blues Band, and whose image appeared on the covers of LIVING CHICAGO BLUES, Vols. I-III.
(p) 1980 Alligator Records USA
(c) Sonet Records & Publishing Ltd 1980
121 Ledbury Road, London W11 2AQ.
Sonet Sonet and Alligator logos on front and back cover.
Recorded and mixed at Curtom Studios, Chicago
A3 titled "I feel so bad" on label
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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|
| Release Country: UK |
| Release Date: 1980 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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