| Title |
Price |
GBP |
Media |
Condition |
Label |
| Different Class |
3.35 |
|
CD |
Very Good (VG)/Very Good Plus (VG+) |
Island Records 5241652 |
| Item Number: 2747046748 2104 |
383031 ex/vg+
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Tracklist
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| 1 | Mis-Shapes | 3:46 | | 2 | Pencil Skirt | 3:11 | | 3 | Common People | 5:51 | | 4 | I Spy | 5:55 | | 5 | Disco 2000 | 4:33 | | 6 | Live Bed Show | 3:29 | | 7 | Something Changed | 3:18 | | 8 | Sorted For E's & Wizz | 3:47 | | 9 | F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E. | 6:01 | | 10 | Underwear | 4:06 | | 11 | Monday Morning | 4:18 | | 12 | Bar Italia | 3:43 |
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Barcode and Identifiers
Barcode: 7 31452 41652 0
Barcode: 731452416520
Label Code: LC 0407
Price Code: PY 900
Rights Society: BIEM/STEMRA
Mastering SID CodeAll variants: IFPI L004
Matrix / RunoutVariant 1: 524 165_2 80 L7 1.6 PMDC, France
Mould SID CodeVariant 1: IFPI 0218
Matrix / RunoutVariant 2: 524 165_2 80 L7 1A++U PMDC, France
Mould SID CodeVariant 2: IFPI 0247
Matrix / RunoutVariant 3: 524 165_2 00A L7 1AA MADE IN FRANCE BY PMDC
Mould SID CodeVariant 3: IFPI 0296
Matrix / RunoutVariant 4: PMDC FRANCE 524 165_2 80 L7 1A * J
Mould SID CodeVariant 4: IFPI 0252
Matrix / RunoutVariant 5: 524 165_2 00A L7 1..I MADE IN FRANCE BY PMDC
Mould SID CodeVariant 5: IFPI 0276
Matrix / RunoutVariant 6: PMDC FRANCE 524 165_2 80 L7 1-C
Mould SID CodeVariant 6: IFPI 0233
Matrix / RunoutVariant 7: PMDC FRANCE 524 165_2 80 L7 1A * J
Mould SID CodeVariant 7: IFPI 0250
Matrix / RunoutVariant 8: PMDC FRANCE 524 165_2 90 L7 1**D
Mould SID CodeVariant 8: IFPI 0248
Matrix / RunoutVariant 9: PMDC FRANCE 524 165_2 80 L7 1A · N
Mould SID CodeVariant 9: IFPI 0241
Matrix / RunoutVariant 10: PMDC FRANCE 524 165_2 80 L7 1A · N
Mould SID CodeVariant 10: IFPI 0261
Matrix / RunoutVariant 11: PMDC FRANCE 524 165_2 80 L7 1A.S
Mould SID CodeVariant 11: IFPI 0252
Matrix / RunoutVariant 12: PMDC FRANCE 524 165_2 80 L7 1A.Q
Mould SID CodeVariant 12: IFPI 0243
Matrix / RunoutVariant 13: MADE IN FRANCE BY PMDC 524 165-2 00A L7 1**G
Mould SID CodeVariant 13: IFPI 0243
Matrix / RunoutVariant 14: PMDC FRANCE 524 165_2 80 L7 1A * V
Mould SID CodeVariant 14: IFPI 0233
Matrix / RunoutVariant 15: PMDC FRANCE 524 165_2 80 L7 1AA
Mould SID CodeVariant 15: IFPI 0217
Matrix / RunoutVariant 16: PMDC FRANCE 524 165₋2 80 L7 1A++U
Mould SID CodeVariant 16: IFPI 0227
Matrix / RunoutVariant 17: PMDC FRANCE 524 165_2 90 L7 1-E
Mould SID CodeVariant 17: IFPI 0238
Matrix / RunoutVariant 18: PMDC FRANCE 524 165_2 80 L7 1A -Y
Mould SID CodeVariant 18: IFPI 0267
Matrix / RunoutVariant 19: PMDC FRANCE 524 165_2 80 L7 1A.F
Mould SID CodVariant 19:
Credits
Arranged By [Orchestra], Conductor - Anne Dudley (Tracks: 4, 7, 9)
Bass [Musicman Sabre] - Steve Mackey
Design Concept [Sleeve] - Pulp
Design [Pulp Logo] - The Designers Republic
Drums [Yamaha], Cymbal [Zildjian], Percussion - Nick Banks
Engineer - David Nicholas
Engineer [Additional] - Pete Lewis
Engineer [Assistant] - Julie Gardner (Tracks: 1, 2, 4 to 9, 11, 12)
Guitar [Additional], Keyboards [Additional] - Chris Thomas
Guitar [Fender Jazzmaster], Violin - Russell Senior
Guitar [Gibson ES 345, Gibson Les Paul, Gibson Firebird], Acoustic Guitar [Sigma], Keyboards [Casio Tonebank CT-470], Electric Piano [Fender Rhodes], Synthesizer [Roland Juno 6] - Mark Webber
Leader [Orchestra] - Gavyn Wright
Lyrics By - Jarvis Cocker
Mastered By - Geoff Pesche, Kevin Metcalfe
Music By - Pulp
Organ [Farfisa Compact Professional ❘❘], Keyboards [Ensoniq ASR 10, Korg Trident ❘❘], Synthesizer [Minimoog, Roland Juno 6, Roland SH-09], Electric Piano [Fender Rhodes] - Candida Doyle
Photography By - Donald Milne, Rankin
Producer - Chris Thomas
Programmed By - Matthew Vaughan (Tracks: 1, 2, 4 to 9, 11, 12)
Programmed By [Additional] - Antony Genn, Mark Haley
Recorded By [Assistant Orchestra Recording] - Andy Strange
Sleeve - Blue Source
Vocals, Guitar [Vox Marauder], Twelve-String Guitar [Ovation], Acoustic Guitar [Sigma], Vocoder [Roland Plus VP-330], Synthesizer [Roland SH-09, MicroMoog], Mellotron, Electronic Drums [Synare] - Jarvis Cocker
Written-By - Candida Doyle, Jarvis Cocker, Mark Webber (Tracks: 1, 2, 4 to 9, 11, 12), Nick Banks, Russell Senior, Steve Mackey
Notes
Standard edition where the inlay is a 20-page booklet. Housed in a regular jewel case.
No tracks durations mentioned on this release.
Recorded and mixed at the Town House, London.
Mastered at the Town House, London.
Orchestra recorded at Air Lyndhurst, London.
All songs published by Island Music Ltd.
℗1995 Island Records Ltd.
©1995 Island Records Ltd.
The copyright in this sound recording and the artwork is owned by Island Records Ltd.
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: Europe |
| Release Date: 1995-10-30 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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