| Title |
Price |
GBP |
Media |
Condition |
Label |
| Hopes And Fears |
2.15 |
|
CD |
Very Good Plus (VG+)/Very Good Plus (VG+) |
Island Records 9866495 |
| Item Number: 2081131157 222804 |
ex/ex- [222804]
 |
|
Tracklist
|
| 1 | Somewhere Only We Know | 3:57 | | 2 | This Is The Last Time | 3:29 | | 3 | Bend And Break | 3:40 | | 4 | We Might As Well Be Strangers | 3:12 | | 5 | Everybody's Changing | 3:35 | | 6 | Your Eyes Open | 3:23 | | 7 | She Has No Time | 5:45 | | 8 | Can't Stop Now | 3:38 | | 9 | Sunshine | 4:12 | | 10 | Untitled 1 | 5:36 | | 11 | Bedshaped | 4:37 |
|
Barcode and Identifiers
BarcodePrinted: 6 02498 66495 7
BarcodeScanned: 602498664957
Rights Society: BIEM/MCPS
Label Code: LC 00407
Matrix / RunoutVariants 1 to 3, 9, 10, 11: 06024 986 649-5 01 ❊ 51487656 [4x Universal Logo]
Variant 1: MADE IN GERMANY BY EDC
Variant 2: MADE IN GERMANY BY EDC B
Variant 3, 11: MADE IN GERMANY BY EDC Y
Variant 9: MADE IN GERMANY BY EDC F
Variant 10: MADE IN GERMANY BY EDC K
Mastering SID CodeVariants 1 to 3, 11: IFPI LV26
Mastering SID CodeVariant 9, 10: IFPI LV27
Mould SID CodeVariant 1: IFPI 0136
Mould SID CodeVariant 2: IFPI 0146
Mould SID CodeVariant 3: IFPI 0138
Mould SID CodeVariant 4: IFPI 0117
Mould SID CodeVariant 5: IFPI 0118
Mould SID CodeVariant 6: IFPI 0123
Mould SID CodeVariant 7: IFPI 0145
Mould SID CodeVariant 8: IFPI 0122
Mould SID CodeVariant 9: IFPI 0125
Mould SID CodeVariant 10: IFPI 0157
Mould SID CodeVariant 11: IFPI 0133
Credits
Design - Madefire
Drums - Richard Hughes
Management - Adam Tudhope
Mastered By - Ted Jensen
Mixed By - Mark Stent
Mixed By [2nd Assistant] - Rob Haggett
Mixed By [Assistant] - David Treahearn
Photography By, Design - Alex Lake
Piano, Keyboards, Bass - Tim Rice-Oxley
Producer - Keane
Producer, Engineer, Programmed By [Pro Tools] - Andy Green
Producer, Programmed By - James Sanger (Tracks: 2, 7, 9, 11)
Programmed By - Keane (Tracks: 2, 7, 9, 11)
Vocals - Tom Chaplin
Written-By - James Sanger (Tracks: 2, 7, 9, 11), Richard Hughes, Tim Rice-Oxley, Tom Chaplin
Notes
Continental European edition, one track less than the
-------------------------------------------------------------------------------------------------------------------------------------------
This pressing also is used as a repackaged version by INTOS, which belongs with this entry!
(As per Discogs rules, repackaged versions do not get a separate entry).
INTOS repackaged version. INTOS 2010 - Vol 16
Very limited edition cd, only less than 1000 were released by the company INTOS in December 2010.
INTOS hands out these cd's to their employees, customers and suppliers as a Christmas gift.
They started to do this in 1993. They pay rights to have this cd (collection) released.
The front inlay includes the original booklet.
--------------------------------------------------------------------------------------------------------------------------------------------
|
Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
|
|
| Release Country: Europe |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------
CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
|
|
|
