| Title |
Price |
GBP |
Media |
Condition |
Label |
| Just Like That... |
24.74 |
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LP |
Near Mint (NM or M-)/Near Mint (NM or M-) |
Redwing Records (2) RWR083 |
| Item Number: 2897052295 2179 |
390306 nm/nm gatefold with inner and postcard, semi clear vinyl
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Tracklist
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| A1 | Made Up Mind | 3:41 | | A2 | Something's Got A Hold Of My Heart | 4:52 | | A3 | Livin' For The Ones | 3:05 | | A4 | Just Like That | 5:05 | | A5 | When We Say Goodnight | 5:01 | | B1 | Waitin' For You To Blow | 5:27 | | B2 | Blame It On Me | 5:47 | | B3 | Love So Strong | 4:31 | | B4 | Here Comes Love | 4:15 | | B5 | Down The Hall | 4:30 |
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Barcode and Identifiers
Barcode: 8 58362 00328 9
BarcodeScanned: 858362003289
Matrix / RunoutSide A runout: 858362003265-A RKS STERLING 38969.1(3)...
Matrix / RunoutSide B runout: 858362003265-B RKS STERLING 38969.2(3)...
Rights Society: SOCAN
Rights Society: ASCAP
Rights Society: BMI
Rights Society: PRS
Credits
Art Direction, Design - Brian Porizek
Artwork [Necklace On Cover] - Kate Lindsay
Coordinator [Redwing Records Label Coordinator] - Ray Fernande
Engineer [Assisted By, Studio D Recording] - Matt Reagan (Tracks: A1 to B3, B5)
Engineer [Rehearsal Monitor Engineer] - McKenzee Morley
Engineer [Second Engineer, Henson Studios] - Pablo Hernandez (Tracks: B4)
Engineer [Second Engineer, Studio D Recording] - Derek Williams (Tracks: A1 to B3, B5)
Engineer [Third Engineer, Henson Studios] - Josh Simmons (Tracks: B4)
Lacquer Cut By [Vinyl Lacquers Cut By] - Ryan Smith
Management [Management And Record Label, With] - Annie Heller-Gutwillig
Management [Management And Record Label] - Kathy Kane
Mastered By - Kim Rosen
Mixed By - Ryan Freeland
Overdubbed By [Assisted By] - Matt Reagan (Tracks: A1 to B3, B5)
Overdubbed By [Overdub Vocal Session By] - Joel Jaffe (Tracks: A1 to B3, B5)
Photography By - Ken Friedman
Photography By [Performance Photo Of Bonnie And George Marinelli By] - Ed Rode
Photography By [Performance Photo Of Bonnie By] - Tim Konrad
Photography By [Photo Whisperer] - Molly Bosted
Producer [Produced By] - Bonnie Raitt (Tracks: A1 to B3, B5)
Producer [Produced By], Arranged By - Bonnie Raitt (Tracks: B4)
Production Manager [Rehearsal, Pre/Post Recording Production Manager] - Derek Williams
Recorded By [Henson Studios] - Ryan Freeland (Tracks: B4)
Recorded By [Studio D Recording] - Ryan Freeland (Tracks: A1 to B3, B5)
Stylist [Styling & Staging] - Bonnie Raitt
Technician [Guitar, Bass & Keys Technician] - Ross Lahey
Notes
Recorded at Studio D Recording, Sausalito, CA (Summer 2021)
Recorded at Henson Studios, Los Angeles, CA (2015)
Mixed at Reid Brody Studio, Chicago, IL
Mastered at Knack Mastering, Ringwood, NJ
Vinyl Lacquers cut at Sterling Sound, Nashville, TN.
Pressed by RTI, Camarillo, CA
Track A1: © 2015 Birthday Cake Media A (SOCAN) administered by Warner Chappell Music Canada Ltd., Super Big Music (ASCAP) administered by Big Machine Music, LLC, Jett Music (ASCAP) administered by Big Machine Music, LLC.
Track A2: © 1992 Mighty Nice Music (BMI) administered by Bluewater Music Services Corp., Songs of Windswept Pacific (BMI) administered by BMG Rights Management (US), LLC.
Track A3: © 2022 Open Secret Music (ASCAP) Lapiotrope Music (BMI) administered by Bluewater Music Services Corp.
Tracks A4, B1, B5: © 2022 Open Secret Music (ASCAP) administered by Bluewater Music Services Corp.
Track A5: © 2006 Voluptuary Music (ASCAP).
Track B2: © 2022 BMG Rights Management (UK) Limited (PRS) admin by Stage Three Music (US) Inc., a BMG Chrysalis Company, Sole Searching Songs (SOCAN) admin by Sony/ATV Songs LLC (BMI), Sony Music Publishing Canada (SOCAN) admin by Sony/ATV Songs LLC (BMI).
Track B3: © 2007 Alla Son Music, Inc. admin by Tideland Music Publishing Corp., Keep on Kicking Music, Ltd. (BMI) administered by Tideland Music Publishing Corp., Holland Hill Media Ltd. (BMI) administered by Tideland Music Publishing Corp.
Track B4: © 2013 Tubtone Records (ASCAP).
Art direction & design at iDesign
Performance photo of Bonnie courtesy of Strawberry Music Festival
Distributed in the US by Sub Pop.
Distributed outside the US by ADA Global.
℗© 2022 Redwing Records, LLC. Made In The U.S.A.
Gatefold cover.
Limited Edition pre-order from Port Merchandise. Hype sticker: "Limited Edition Teal Vinyl with Special Card From Bonnie" - vinyl is semi-translucent.
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Note
Tracklisting is supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: US |
| Release Date: 2022-04-22 |
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel
International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:
CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)
registered shipping: up to 2kgs €20
Return Policy:
full refund if the buyer is not satisfied
Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
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