Orb
Title Price GBP  Media  Condition  Label 
U.F.Orb 118.13  2LP  Mint (M)/Near Mint (NM or M-)  Big Life 8633751
Item Number: 3007102547 2104

393917 still sealed with original hypesticker on front


            
            
            
        




Tracklist
 
U.F.Orb
A1O.O.B.E12:51
A2U.F.Orb6:08
B1Blue Room17:34
CTowers Of Dub15:00
D1Close Encounters10:27
D2Majestic11:06
D3Sticky End0:49
The Orb's Adventures Beyond The Ultraworld: Patterns & Textures Version
E1Little Fluffy Clouds8:55
E2Earth (Gaia)9:26
E3Towers Of Dub (Part 1)5:00
F1Towers Of Dub (Part 2)4:33
F2Perpetual Dawn8:17
F3Star 6 & 7 8 94:19
F4Outlands6:45
F5Outro5:15


Barcode and Identifiers
BarcodePVC sleeve sticker: 731451391118
BarcodeSleeve: 731451374913
Label Code: LC 6816
Price Code: PG 281

Credits
Design - The Designers Republic
Engineer - Greg Hunter (Tracks: A1 to D3), Thrash (Tracks: A1 to D3)
Engineer [Assistant At Mark Angelo's] - Sarah (Tracks: A1 to D3)
Engineer [Assistant At Matrix 4] - Sonia (Tracks: A1 to D3), Tim (Tracks: A1 to D3)
Engineer [Assistant At Sunsonic] - Leroy (Tracks: A1 to D3)
Performer [Players] - Alex Paterson (Tracks: A1 to D3), Greg Hunter (Tracks: A1 to D3), Guy Pratt (Tracks: A1 to D3), Jah Wobble (Tracks: A1 to D3), Marney Pax (Tracks: A1 to D3), Miquette Giraudy (Tracks: A1 to D3), Orde Meikle, Steve Hillage (Tracks: A1 to D3), Stuart McMillan (Tracks: A1 to D3), Thomas Fehlmann (Tracks: A1 to D3), Thrash (Tracks: A1 to D3), Tom Green (Tracks: A1 to D3), Youth (Tracks: A1 to D3)
Producer - The Orb (Tracks: A1 to D3)
Remix [Digitally Remixed] - The Orb (Tracks: E1 to F5)
Written-By - Alex Paterson (Tracks: A1 to D3), Alex Paterson (Tracks: E1 to F5), Kris Weston (Tracks: A1 to D3)
Notes
This is the limited edition 3xLP set, containing the regular album (BLRLP 18) plus a bonus LP and 2 8" x 8" art prints. Limited to 5000 copies.

The vinyl version comes in the following formats:
1: The album released as a ), and was recorded at the Fridge, Brixton May 12 1991, remixed at Falconer Studios April 1992.

A1 to D3: Mixed at Matrix 4 Studio
A1: Programmed in Berlin. Flute credited to Tom Green (Baku). Track claims to be 18:45 on label, but the cover has the correct duration of 12:51.
A2, D2: Programmed at Butterfly.
B1: Programmed in space at Mark Angelo's.
B2: Programmed at Sunsonic.
C: Programmed at Livingstone.

Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Release Country: UK
Release Date: 1992-07-06
Shipping Methods:
Denmark: (please have in mind we don't offer day to day shipping in Denmark):
CDs or 7”s: 1 : €5
CDs or 7”s: 2-4 : €6
CDs or 7”s: 5-18 : €8
LPS: 1 :€7
LPS: 2-6 :€9 - sent as parcel

International/USA/Europe/Australia/Oceania/Canada/Mexico/South America:

CDS or 7”s - first €5 each additional €1 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

CDS without jewel case - first €4 each additional €0,50 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

LPS First €9 each additional €2 (until the total weight including shipping material reaches 2 kilos - then please ask for a quote)

registered shipping: up to 2kgs €20

Return Policy:
full refund if the buyer is not satisfied

Grading of Items:
we grade our records after the record collector magazine
mint
near mint
ex
vg+
vg
etc
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
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EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
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VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
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GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
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FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
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POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
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BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
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CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

Questions:
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