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Note
Images, tracklist, identifiers, credits and/or notes have been provided by a third party and may differ from the actual item for sale. Contact the seller with questions or to confirm details.
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Buy both the LP and a CD backup copy
MusicStack has partnered with a vinyl to CD conversion service who will convert the LP to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the LP to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the LP only for your ears. The LP and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the LP + $35 USD for the conversion to recordable CD + cost of shipping of the LP to Arizona + cost of shipping of the LP from Arizona to your location paid in advance.
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Format: | | LP Want this on CD also?
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Condition: | | GOOD PLUS (G+) / GOOD PLUS (G+) (Media / Cover) More Info |
Label: | | Elektra EKT57 |
Country: | | Europe |
Released: | | 1989 |
Genre: | | Folk Rock |
Num In Set: | | 1 |
Barcode: | | 075596081511 |
Quantity: | | 1 in stock |
Seller Ref: | | 1028538065 1 |
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Tracklist
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A1 | Eat For Two | 3:26 | A2 | Please Forgive Us | 3:22 | A3 | The Big Parade | 4:00 | A4 | Trouble Me | 3:08 | A5 | You Happy Puppet | 3:35 | A6 | Headstrong | 4:13 | B7 | Poison In The Well | 3:05 | B8 | Dust Bowl | 4:11 | B9 | The Lion's Share | 3:00 | B10 | Hateful Hate | 4:28 | B11 | Jubilee | 5:59 |
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Barcode and Identifiers
BarcodePrinted: 0 7559-60815-1 1 Barcode: 075596081511 Rights SocietyMechanical rights: GEMA/BIEM Rights SocietyPublishing rights: ASCAP Label Code: LC 0192 Price CodeFrance: WE 381 Price Code: Ⓤ Matrix / RunoutVariant 1: Runout side A stamped [27 etched]: R/S Alsdorf 960815-1-A 27 Matrix / RunoutVariant 1: Runout side B stamped [27 etched]: R/S Alsdorf 960815-1-B 27 Matrix / RunoutVariant 2: Runout side A stamped [2 Ⅱ etched]: R/S Alsdorf 960815-1-A 2 Ⅱ Matrix / RunoutVariant 2: Runout side B stamped [1 Ⅱ etched]: R/S Alsdorf 960815-1-B 1 Ⅱ Matrix / RunoutVariant 3: Runout side A stamped [1 Ⅰ etched]: R/S Alsdorf 960815-1-A 1 Ⅰ Matrix / RunoutVariant 3: Runout side B stamped [1 Ⅰ etched]: R/S Alsdorf 960815-1-B 1 Ⅰ Matrix / RunoutVariant 4: Runout side A stamped [1 ⅡI etched]: R/S Alsdorf 960815-1-A 1 ⅡI Matrix / RunoutVariant 4: Runout side B stamped [5 I etched]: R/S Alsdorf 960815-1-B 5 I Matrix / RunoutVariant 5: Runout side A stamped [15 etched]: R/S Alsdorf 960815-1-A 15 Matrix / RunoutVariant 5: Runout side B stamped [73 etched]: R/S Alsdorf 960815-1-B 73
Credits Arranged By [Musical Arrangement], Music Director [Direction] - Jason Osborn (Tracks: B11) Band [10, 000 Manics are], Bass Guitar - Steven Gustafson Band [10, 000 Manics are], Drums - Jerome Augustyniak Band [10, 000 Manics are], Lead Guitar, Rhythm Guitar, Electric Guitar, Acoustic Guitar - Robert Buck Band [10, 000 Manics are], Organ, Piano - Dennis Drew Band [10, 000 Manics are], Vocals [Vocalist] - Natalie Merchant Classical Guitar - Scott Kuney (Tracks: B11) Design [Packaging, Created By] - Frank Olinsky, Natalie Merchant Double Bass - Frank Luther (Tracks: B11) Engineer [Assisted By, Mixing] - Dennice Brown, Jeff Abikzer Engineer [Assisted By, Recording] - Dave Cook Engineer [Engineered By] - Frank Filipetti Management [Managed By, For The New York End, Ltd.] - Peter Leak Orchestra [Member], Bassoon - Dennis Godburn (Tracks: B11) Orchestra [Member], Cello - Myron Lutzke (Tracks: B11) Orchestra [Member], Harpsichord - Robert Wolinsky (Tracks: B11) Orchestra [Member], Viola - Louise Schulman (Tracks: B11) Orchestra [Member], Violin [First] - Krista Bennion Feeney (Tracks: B11) Orchestra [Member], Violin [Second] - Mitsuru Tsubota (Tracks: B11) Organ [Pipe Organ], Piano - Natalie Merchant (Tracks: B10) Performer - Orchestra Of St. Luke's (Tracks: B11) Photography By [Photographs Of The Band Members] - Joëlle Dépont Producer [Produced By] - Peter Asher Vocals [Voice] - Jevetta Steele (Tracks: A4)
Notes Issued in a cardboard sleeve with a matte finish. The Warner 'W' logo is embossed in the lower, right-hand corner of the rear cover. Includes a poly-lined paper inner sleeve with photographs of the band members and the English lyrics. Also includes a four-page card insert with the translated lyrics in German, French, Spanish and Italian.
Some copies have a sticker on the cover advertising the aforementioned translations. Promo copies carry an additional ''PR'' sticker on the back and a promo release sheet with information on the band's career.
On the outer sleeve, the tracks are numbered sequentially across both sides (i.e. 1 to 11); on the centre labels they are numbered sequentially on each side (i.e. A1 to A6, B1 to B5).
[Outer sleeve:] ELEKTRA/ASYLUM RECORDS, A Division of Warner Communications Inc., [Warner 'W' logo] ℗ © 1989 Elektra/Asylum Records for the United States and WEA International Inc. for the world outside of the United States. Manufactured in Germany · Pressé en Allemagne. TELDEC Record Service GmbH [Warner 'W' logo] A Warner Communications Company
[Inner sleeve:] All songs published by Christian Burial Music, ASCAP. © 1989 Christian Burial Music . BLIND MAN'S ZOO was begun in November 1988 and completed in March 1989. ... people we feel grateful toward and indebted to ... OLIVER DOW ... PAM GUSTAFSON, MARY FADALE, KERRY DAHL, DENA GORDON, ABIGAIL SIMON, MICHAEL KOLASA, CLAUDINE TROISE, MARK O'CONNOR, JEFFERSON HOLT and R.E.M., FRANK RILEY, and everyone at DREAMLAND and RIGHT TRACK ... ELEKTRA RECORDS staff.
[Side A label:] Published by (G.B. only) Christian Burial Music
[Side B label:] Published by (G.B. only) Christian Burial Music except 1. [Poison In The Well] Christian Burial Music/Complete Music Ltd.
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Conditions and Grading
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
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Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
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Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
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Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
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Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
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Poor
, Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.