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Buy both the CD and a CD backup copy
MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
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Format: | | CD |
Condition: | | NEAR MINT (NM OR M-) / VERY GOOD PLUS (VG+) (Media / Cover) More Info |
Label: | | Sony Classical 62719 |
Country: | | US |
Released: | | 1997 |
Genre: | | Baroque |
Num In Set: | | 1 |
Barcode: | | 074646271926 |
Quantity: | | 1 in stock |
Seller Ref: | | 1873549183 36-2 1 |
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Tracklist
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| Concerto For Strings In G Minor, RV 157 | 5:49 | | Concerto For Violoncello And Strings In D Major, RV 403 | 6:48 | | Concerto For Strings In G Minor, RV 152 | 5:16 | | Concerto For Violoncello And Strings In B Minor, RV 424 | 9:16 | | Concerto For Strings In D Minor, RV 127 | 3:53 | | Concerto For 2 Violins, 2 Violoncellos And Strings In D Major, RV 564 | 9:43 | | Concerto For 2 Oboes And Strings In D Minor, RV 535 | 8:49 | | Concerto For Violoncello And Strings In A Minor, RV 419 | 7:52 | | Concerto For Violoncello, Bassoon And Strings In E Minor, RV 409 | 5:51 | | Concerto For 2 Oboes, 2 Violins, Bassoon And Strings In C Major, RV 557 | 8:37 | | Concerto For Strings In G Major "Alla Rustica", RV 151 | 3:51 |
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Barcode and Identifiers
Barcode: 0 7464-62719-2 6 BarcodeStringed: 07464-62719-26 BarcodeScanned: 074646271926 SPARS Code: DDD Super Bit Mapping ™: SBM Matrix / Runout: DIDP-091762 3 [1 2 8 target symbols] A04 [Barcode] Mastering SID Code: IFPI L323 Mould SID Code: IFPI 50F5
Credits Art Direction - Peter Ciccotto Artwork [Cover Art, Courtesy] - AKG Berlin Artwork [Cover Art] - Canaletto Bassoon, Soloist - Michael McCraw (Tracks: 9, 10) Booklet Editor [Booklet By] - Hamburg Editorial Cello [Violoncello], Soloist - Anner Bylsma (Tracks: 2, 4, 6, 8, 9), Christina Mahler (Tracks: 6) Composed By - Antonio Vivaldi Directed By, Music Director [Musical Director] - Jeanne Lamon Engineer [Assistant Engineer] - Felix Krückels, Tritonus Engineer [Recording Engineer], Edited By [Editing], Mastered By [Mastering] - Markus Heiland, Tritonus Instruments [On Period Instruments] - Tafelmusik Baroque Orchestra Liner Notes - Michael Stegemann Liner Notes [English Translation] - Ulrike Bode Liner Notes [French Translation] - Odile Demange Luthier [Instrument Makers, Archlute / Erzlaute / Archiluth, After] - Magno Tieffenbruchar Luthier [Instrument Makers, Archlute / Erzlaute / Archiluth] - Andreas von Holst Luthier [Instrument Makers, Double Bass / Kontrabaß / Contrebasse] - Pietro Meneghesso Luthier [Instrument Makers, Viola / Alto] - Joseph Hill, Marilyn Wallin, Otto Erdesz Luthier [Instrument Makers, Violin / Violine / Violon I (1)] - Anonymous, Antonio Mariani, Denis Cormier, Nicolo Amati Luthier [I - Sanctus Seraphin
Notes This recording has been processed using 20-bit technology to maximize sound quality. SBM Super Bit Mapping ™ logo
http://www.sony.com
© 1997 Sony Music Entertainment Inc./ ℗ 1997 Sony Classical, a division of Sony Entertainment Holdings GmbH. VIVARTE is a trademark of Sony Music Entertainment Inc. [Sony Classical logo] and SONY CLASSICIAL are trademarks of Sony Corporation. Manufactured by Sony Music Entertainment Inc./ 550 Madison Avenue, New York, NY 10022-3211 / Warning: All rights reserved, including all rights of the producer and of the owner of the recorded work. Unauthorized copying, public performance, broadcasting, hiring or rental of this recording prohibited, as provided by applicable law. Distribution: Sony Music.
Made in USA.
℗ 1997 Sony Classical, a division of Sony Entertainment Holdings GmbH
[Sony Classical logo] and SONY CLASSICIAL are Trademarks of Sony Corporation
1 (g-moll / en sol mineur) 2 (D-Dur / en ré majeur) 3 (g-moll / en sol mineur) 4 (h-moll / en si mineur) 5 (d-moll / en ré mineur) 6 (D-Dur / en ré majeur) 7 (d-moll / en ré mineur) 8 (a-moll / en la mineur) 9 (e-moll / en mi mineur) 10 (C-Dur / en ut majeur) 11 (G-Dur / en sol majeur)
Total Time: 76'39
Track 10.2 [Transcribed by TAFELMUSIK for 2 violins and basso continuo from the original orchestration for 2 recorders and bassoon]
Tafelmusik on period instruments.
Instrument Makers
Violin / Violine / Violon I Santo Serafin, c1730 Denis Cormier, 1981 Nicolo Amati, 1670 Antonio Mariani, 1650 Anon. Mirecourt, c1750
Violin / Violine / Violon II Douglas C. Cox, 1986 David Rubio, 1990 Carlo G. Testore, 1690 Carlo A. Testore, 1720
Viola / Alto Otto Erdesz, 1962 Marilyn J. Wallin, 1993 Joseph Hill, 1760
Violoncello / Violoncelle Paris School, c1750 Dominik Zuchowicz, 1994
Double Bass / Kontrabaß / Contrebasse P. Meneghesso, 1892
Oboe / Hautbois H. A. Vas Dias, after T. Stansby Sr., c1700 Sand Dalton, after J. H. Eichentopf, c1730
Bassoon / Fagott / Basson Peter de Koningh, aft
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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Conditions and Grading
Grading Standard:
Mint (M)
Sealed. If it is sealed and has a hole punch or a saw cut it will be noted.
Near Mint (NM)
The disc may or may not be glossy but is nearly perfect. May have some sleeve wear in some cases. Usually noted, but not always.
Near Mint Minus (NM-): Somewhere between NM and EX with some slight imperfections that don't allow for a NM grading.
Excellent (E):
Disc visually does not pass for Near Mint, but very likely will sound like one on playback.
Very Good Plus, Plus (VG++)
Disc on the high end of the VG+ records I grade.
Very Good Plus (VG+)
The disc will have a few light scratches on each side that will not impact play in a significant way. Jackets may have corner cuts, holes, ring wear, and shelf wear along the edges.
Very Good (VG)
The disc will have many visible scratches on the surface. Some VG records have background noise some don’t. Some sound as good as a VG+ record.
Good (G)
The disc will have a lot of noise and many scratches. Some G-rated disks are salvageable with a good cleaning.
Poor (P)
The disc is a worthless item that you may buy for the cover or for the chance that part of the record may sound alright. We generally do not stock LPs with this rating.
Mint (M)
Vinyl
Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.
CD
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
Cassette
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced. Used sparingly as a grade, should be free of even the slightest blemishes and/or defects. This grade should be used sparingly, if at all.
Near Mint (NM or M-)
Vinyl
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.
CD
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully.
Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
Cassette
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.
Very Good Plus (VG+)
Vinyl
Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint.
CD
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
Cassette
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.
Very Good (VG)
Vinyl
Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price.
CD
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
Cassette
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.
Good (G), Good Plus (G+)
Vinyl
Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
CD
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.
Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.
Cassette
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.
Poor (P), Fair (F)
Vinyl
Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.
CD
The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
Cassette
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.
Standard Jewel Cases
Standard Jewel Cases are not graded as they are replaceable.
Generic
The term "generic" refers to a type of sleeve that is not specific to the release. A generic sleeve is either a plain sleeve or a company sleeve with standard company artwork. A sleeve that is graded as "generic" needs no further grading, as a generic sleeve generally adds little value to the item and can be easily replaced. Sellers can further specify a generic sleeve's condition in the listing.
Payment Methods Accepted
PayPal
Shipping Costs
I strive for 100% satisfaction on every order and we will play test any record upon request! I spot-check all LPs prior to shipment both visually and on the turntable. If there is an issue I will send you an email offering you the choice of a full refund or a partial credit before shipping the item. In the unlikely event that you need to return something, the cost of return shipping is the buyer's responsibility.
1-2 CDs shipped media mail: $5.99 + $.50 for each additional. 1-2 LPs shipped media mail: $6.99 +$1 each additional.
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Return Policy
Items that are not as described may be returned for a full refund or a credit. Buyer pays return shipping.
Seller Information
I strive for 100% satisfaction on every order and we will play test any record upon request! I spot check all LPs prior to shipment both visually and on the turntable. If there is an issue I will send you an email offering you the choice of a full refund or a partial credit before shipping the item. In the unlikely event that you need to return something, the cost of return shipping is the buyer's responsibility.
Shipping to United States |
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United States Postal Service: Priority Mail
No Insurance, Tracking, No Signature, 3-5 days Estimated Delivery |
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United States Postal Service: Media Mail
No Insurance, Tracking, No Signature, 5-10 days Estimated Delivery |
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United States Postal Service: First Class
No Insurance, Tracking, No Signature, 3-25 days Estimated Delivery |