MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
Nato nel sobborgo di Chicago Blue Island l'11 Luglio del 1953, Peter Brown è stato in assoluto il primo artista a superare il milione di copie vendute, con un singolo in versione 12''Inches Extended dal titolo Do You Wanna Get Funky With Me, che venne pubblicato nel 1977 su etichetta "Drive Records" che era una sotto etichetta della famosissima T.K.Records. Il brano venne registrato in Demo Version su di un registratore a 4 Tracce nella camera da letto di Peter Brown, ed è grazie a questo brano che Brown ottenne un successo planetario che diede iniziò alla folgorante carriera artistica del valente produttore polistrumentista. Sempre nel 1977 venne pubblicata anche un'altra grande Hit intitolata Dance With Me (che era caratterizzata dai cori eseguiti da Betty Wright, e per il quale Brown fu nominato per un Grammy). Nel 1979, due anni dopo la pubblicazione del suo album d'esordio A Fantasy Love Affair che contiene i sopra menzionati Do You Wanna Get Funky With Me e Dance With Me, Peter Brown torna con l'album Stargazer dal quale venne estratta un'altra grande Hit dal titolo Crank It Up. Nei primi anni 80 il fenomeno Disco negli Stati Uniti ebbe un crollo dovuto all'avvento dei nuovi ritmi, e dopo la chiusura della T.K.Records, Peter Brown si trasferì alla RCA dove nel 1983 pubblicò il suo terzo album, Back To The Front, che al suo interno conteneva la bellissima Overnight Sensation. La musica da ballare stava subendo una trasformazione totale, anche grazie a famosi Dj come Larry Levan, considerato l'inventore della Garage Music, che prende il nome dal popolare locale "Paradise Garage" dove Levan suonava, e ancora Frankie Knukless, che a Chicago diede vita al fenomeno House Music, terminologia che arriva dal locale dove Frankie si esibiva il "Warehouse". Iniziò cosi per la musica un periodo incredibilmente fertile, e Peter Brown seppe adattarsi benissimo a quel periodo, e sempre nel 1983 scrisse con Robert Rans uno dei brani simbolo degli anni 80 Material Girl di Madonna. Nel 1984 dopo aver cambiato nuovamente casa discografica passando cosi alla Columbia CBS Sony Music, Brown pubblica il suo quarto e ultimo album intitolato Snap, che contiene altri 2 grandi Hits (Love Is Just) The Game e They Only Come Out At Night. Questa è l'unica raccolta di successi mai pubblicata di Peter Brown ed è anche una delle edizioni più ricercate. Contiene i brani più importanti della discografia pubblicata su etichetta T.K.Records, In gran parte nelle versioni 12''Inches Extended Mix edite su TK Disco. Tutti I brani sono stati remasterizzati, inoltre, per arricchire ulteriormente l'opera, sono state aggiunte due tracce in versione Remix, rielaborate nel 1994, e sono: Dance With Me riedittata da Danny Krivit e Do Ya Wanna Get Funky With Me. remixatada Rich Keller And Freddie Levine. Sicuramente i due brani più famosi di Pater Bown. Due vere Rarità!!
Credits Coordinator [Project Coordinator] - Libby Jones Design, Artwork By - Darren Evans Liner Notes - Bob Fisher Management [Product Management], Coordinator [Project Coordinator] - Paula Flack Written-By - Peter Brown, Robert Rans (Tracks: 1 to 6, 11, 12)
Note Tracklisting is supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Always Classics Disco Funk (Ferrara, Italy)
Overall Rating:
Feedback: No Feedback Yet Fill Rate: Statistic Not Available availability Response Time: Seller For: 9.3 years Transactions: 0
(These standards have been expanded to include definitions of CD specific gradings)
Mint [M]
Vinyl: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
CD: Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
------------------------------------------------------------ Near Mint [NM or M-]
Vinyl: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
CD: Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
------------------------------------------------------------ Very Good Plus [VG+]
Vinyl: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
CD: A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
------------------------------------------------------------ Very Good [VG]
Vinyl: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
CD: Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
------------------------------------------------------------ Good [G], Good Plus [G+]
Vinyl: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
CD: There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip
------------------------------------------------------------- Poor [P], Fair [F]:
Vinyl: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
CD: The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
------------------------------------------------------------- Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.
Payment Methods Accepted
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Shipping Costs
Le spedizini saranno effetuate con codice di rintracciamento
The shipping options will be done with code tracing
We ship Worldwide only by REGISTERED Airmail. NO Economy untraceable ship. Ship costs depending upon weight. By average (with Packaging) : 1 CD = 120g 1 45 = 150g 1 LP = 400g
Bilbo Store Shipping Costs: up to 100 g Europe: 10 up to 250 g Europe: 12 up to 350 g Europe: 14 up to 1000 g Europe: 18 up tp 2000 g Europe: 26 up to 100 g USA/Canada/Mexico/Asia/Africa/South America: 11 up to 250 g USA/Canada/Mexico/Asia/Africa/South America: 15 up to 350 g USA/Canada/Mexico/Asia/Africa/South America: 17 up to 1000 g USA/Canada/Mexico/Asia/Africa/South America: 25 up tp 2000 g USA/Canada/Mexico/Asia/Africa/South America: 37 up to 100 g Oceania: 13 up to 250 g Oceania: 17 up to 350 g Oceania: 22 up to 1000 g Oceania: 33 up tp 2000 g Oceania: 47
Return Policy
If your order is lost, stolen or never arrives we will replace the order or refund your money 100% If your order is damaged in transit we will replace the order or refund your money 100% We accept returns in the same condition we sent them to you. Buyer pays all return shipping costs. If we make a mistake we will pay all return shipping costs and correct the order or refund you.
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No Insurance, No Tracking, No Signature, - days Estimated Delivery
