PYOTR ILYICH TCHAIKOVSKY Records and CDs

(b. Kamsko-Votkinsk, 7 May 1840; d. St Petersburg, 6 Nov 1893).
Russian composer. He started piano studies at five and soon showed remarkable gifts; his childhood was also affected by an abnormal sensitivity. In 1863 he entered the Conservatory, also undertaking private teaching. Three years later he moved to Moscow with a professorship of harmony at the new conservatory. Little of his music so far had pleased the conservative musical establishment or the more nationalist group, but his First Symphony had a good public reception when heard in Moscow in 1868.
Rather less successful was his first opera, The Voyevoda. The Oprichnik won some success at St Petersburg in 1874, by when Tchaikovsky had won acclaim with his Second Symphony (which incorporates Ukrainian folktunes); he had also composed two string quartets (the first the source of the famous Andante cantabile), most of his next opera, Vakula the Smith, and of his First Piano Concerto, where contrasts of the heroic and the lyrical, between soloist and orchestra, clearly fired him. Originally intended for Nikolay Rubinstein, the head of Moscow Conservatory, who had much encouraged Tchaikovsky, it was dedicated to Hans von Bulow (who gave its premiere, in Boston) when Rubinstein rejected it as ill-composed and unplayable (he later recanted and became a distinguished interpreter of it). In 1875 came the carefully written Third Symphony and Swan Lake, commissioned by Moscow Opera. The next year a journey west took in Carmen in Paris, a cure at Vichy and the first complete Ring at Bayreuth; although deeply depressed when he reached home - he could not accept his homosexuality - he wrote the fantasia Francesca da Rimini and the Rococo Variations for cello and orchestra. At the end of the year he was contacted by a wealthy widow who admired his music and was eager to give him financial security; they corresponded intimately for 14 years but never met.
Tchaikovsky, however, saw marriage as a possible solution to his sexual problems; and when contacted by a young woman who admired his music he offered (after first rejecting her) immediate marriage. It was a disaster: he escaped from her almost at once, in a state of nervous collapse, attempted suicide and went abroad. This was however the time of two of his greatest works, the Fourth Symphony and Eugene Onegin. The symphony embodies a "fate" motif that recurs at various points, clarifying the structure. Eugene Onegin, after Pushkin, tells of a girl's rejected approach to a man who fascinates her (the parallel with Tchaikovsky's situation is obvious) and his later remorse. The brilliant Violin Concerto also comes from the late 1870s.
The period 1878-84, however, represents a creative trough. He resigned from the conservatory and, tortured by his sexuality, could produce no music of real emotional force (the Piano Trio, written on Rubinstein's death, is a single exception). He continued to travel widely, and conduct