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Artist |
Title |
Media |
Condition |
Price GBP |
| Ian Hunter |
Original Album Classics |
CD Box Set |
Mint (m) |
199.98
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Factory Sealed 3 CD Set is Out of Print with 32 Tracks
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Tracklist
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| Ian Hunter | | | 1-1 | Once Bitten, Twice Shy | 4:44 | | 1-2 | Who Do You Love | 3:51 | | 1-3 | Lounge Lizard | 4:31 | | 1-4 | Boy | 8:55 | | 1-5 | 3,000 Miles From Here | 2:48 | | 1-6 | The Truth, The Whole Truth, Nuthin' But The Truth | 6:14 | | 1-7 | It Ain't Easy When You Fall / Shades Off | 5:46 | | 1-8 | I Get So Excited | 3:51 | | 1-9 | Colwater High | 3:12 | | 1-10 | One Fine Day | 2:22 | | 1-11 | Once Bitten, Twice Shy (Edit) | 3:52 | | 1-12 | Who Do You Love (Edit) | 3:18 | | 1-13 | Shades Off (Poem) | 1:38 | | 1-14 | Boy (Edit) | 3:42 | | All-American Alien Boy | | | 2-1 | Letter To Britannia From The Union Jack | 3:49 | | 2-2 | All-American Alien Boy | 7:08 | | 2-3 | Irene Wilde | 3:44 | | 2-4 | Restless Youth | 6:18 | | 2-5 | Rape | 4:21 | | 2-6 | You Nearly Did Me In | 5:47 | | 2-7 | Apathy 83 | 4:43 | | 2-8 | God (Take 1) | 5:45 | | Overnight Angels | | | 3-1 | Golden Opportunity | 4:32 | | 3-2 | Shallow Crystals | 3:58 | | 3-3 | Overnight Angels | 5:12 | | 3-4 | Broadway | 3:46 | | 3-5 | Justice Of The Peace | 3:01 | | 3-6 | (Miss) Silver Dime | 4:35 | | 3-7 | Wild N' Free | 3:08 | | 3-8 | The Ballad Of Little Star | 2:32 | | 3-9 | To Love A Woman | 3:54 | | 3-10 | England Rocks | 2:54 |
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Barcode and Identifiers
Barcode: 886919686128
Cat# CD1: 88691 96861 2 CD1
Cat# CD2: 88691 96861 2 CD2
Cat# CD3: 88691 96861 2 CD3
Matrix / RunoutCD1: Sony Music 55033638/88691968612-1 21
Matrix / RunoutCD2: Sony Music 55033645/88691968612-2 21
Matrix / RunoutCD3: Sony Music 55033652/88691968612-3 21
Mastering SID CodeCD1: IFPI LP 73
Mastering SID CodeCD2: IFPI LB 46
Mastering SID CodeCD3: IFPI LB47
Mould SID CodeAll Discs - Variant 1: IFPI 0796
Mould SID CodeAll Discs - Variant 2: IFPI 0786
Label Code: LC00162
Rights Society: BIEM/GEMA
Credits
Accordion - Dominic Cortese (Tracks: 2-1 to 2-8)
Alto Saxophone - David Sanborn (Tracks: 2-1 to 2-8)
Arranged By - Ian Hunter (Tracks: 2-1 to 2-8), Mick Ronson (Tracks: 1-1 to 1-8)
Artwork [Cover Art, CD2] - Philip Hays
Artwork [Front Cover Art, CD3] - David Oxtoby
Backing Vocals [The Singers] - Ann E. Sutton (Tracks: 2-1 to 2-8), Bob Segarini (Tracks: 2-1 to 2-8), Brian May (Tracks: 2-1 to 2-8), Erin Dickins (Tracks: 2-1 to 2-8), Freddie Mercury (Tracks: 2-1 to 2-8), Gail Kantor (Tracks: 2-1 to 2-8), Ian Hunter (Tracks: 2-1 to 2-8), Roger Taylor (Tracks: 2-1 to 2-8)
Bass - Jaco Pastorius (Tracks: 2-1 to 2-8)
Bass Guitar, Harmony Vocals - Geoff Appleby (Tracks: 1-1 to 1-8)
Bass, Harmony Vocals - Rob Rawlinson (Tracks: 3-1 to 3-9)
Clarinet - Arnie Lawrence (Tracks: 2-1 to 2-8)
Composed By - Ian Hunter (Tracks: 2-1 to 2-8)
Congas - Don Alias (Tracks: 2-1 to 2-8)
Coordinator [Organised Under Stress By] - Ritchie Anderson (Tracks: 1-1 to 1-8)
Design [Cover Design, CD3] - John Berg, Roslav Szaybo
Design [Packaging Design, CD1] - Roslav Szaybo
Drums - Aynsley Dunbar (Tracks: 2-1 to 2-8), Dennis Elliott (Tracks: 1-1 to 1-8, 3-1 to 3-9)
Engineer - Bill Price (Tracks: 1-1 to 1-8), Dave Wittman (Tracks: 2-1 to 2-8), Gary Lyons (Tracks: 3-1 to 3-9)
Engineer [Assistant] - Frankie D'Augusta (Tracks: 2-1 to 2-8), Gary Edwards (Tracks: 1-1 to 1-8), Jon Kelly (Tracks: 1-1 to 1-8), Michael Frondelli (Tracks: 2-1 to 2-8), Mike Sellers (Tracks: 1-1 to 1-8), Mike Stafford (Tracks: 1-1 to 1-8), Neal Teeman (Tracks: 2-1 to 2-8)
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Notes
Sleeve refers for the credits to www.legacyrecordings.com/originalalbumclassics. However no credits are to be found there.
Credits taken from the individual sleeves which are reproductions of the original LP sleeves.
Tracks 1-1 to 1-8: Recorded at Air Studios, London, Jan/Feb/March 75.
Tracks 2-1 to 2-8: Recorded at Electric Lady Studios, New York City during the first three weeks of January 1976. Mastered at A&M Studios, Los Angeles, California. Mixed at the same studio during the last week of January 1976.
Tracks 3-1 to 3-9: Produced for R.T.B. (Audio-Visual) Productions Ltd. Recorded at Le Studio Morin Heights, Quebec, Canada; Utopia & Olympic Studios, London. Mixed at Sarm Studio-London. Mastered at Sterling Sound, New York City.
© 2012 Sony Music Entertainment ℗ 2005 Sony BMG Music Entertainment (UK) Limited.
℗ 1976, CD3 track 1 1972, CD3 track 5 1976, 1977 Sony Music Entertainment
Distributed by Sony Music Entertainment
Made in the EU
Tracks 3-1 to 3-5, 3-7 to 3-9 published by April Music Ltd / Ian Hunter Music
Track 3-6 published by April Music Ltd / Ian Hunter Music / Copyright Control
(CD1)
Pete Arnesen courtesy of RCA Records.
(CD2)
David Sanborn appears courtesy of Warner Bros. Records
Gerry Weems appears courtesy of Warner Bros. Records
Jaco Pastorius appears courtesy of Epic Records
Arnie Lawrence appears courtesy of Bethlehem Records
Bob Segarini appears courtesy of "The Dudes"
Queen appears courtesy of themselves & Electra[sic]/Asylum Records
(CD3)
Dennis Elliott played by kind permission of "Foreigner", Bud Prager and Atlantic Records
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Item Number: 7366-CS2018-0405-0206 |
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Grading of Items:
Goldmine Grading Standard:
(These standards have been expanded to include definitions of CD specific gradings)
Mint [M]
Vinyl: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
CD: Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
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Near Mint [NM or M-]
Vinyl: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
CD: Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
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Very Good Plus [VG+]
Vinyl: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
CD: A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
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Very Good [VG]
Vinyl: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
CD: Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
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Good [G], Good Plus [G+]
Vinyl: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
CD: There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip
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Poor [P], Fair [F]:
Vinyl: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
CD: The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
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Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.
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Grading of Items:
Goldmine Standard (Vinyl+CDs)
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