Rixrecords Full Catalogue New Arrivals Blank Order Form Requests About Us Send Us An Email   Shopping Cart

2Pac + Outlawz
Title Price GBP  Media  Condition  Label 
Still I Rise 6.54  CD  EX  Interscope Records 4904132

Item Number: 5130155

Interscope Records, 4904132, 1999, 15 Track

1Letter To The President5:59
2Still I Rise4:13
3Secretz Of War4:12
4Baby Don't Cry (Keep Ya Head Up II)4:19
5As The World Turns5:06
6Black Jesuz4:24
8Hell 4 A Hustler5:52
9High Speed5:59
10The Good Die Young5:42
12Teardrops And Closed Caskets5:05
13Tattoo Tears5:07
14U Can Be Touched5:59
15Y'All Don't Know Us4:53

Barcode and Identifiers
Barcode: 6 06949 04132 8
Label Code: LC 06406
Price Code: UN 900
Rights Society: BIEM/MCPS
Matrix / Runout: 06069 490 413-2 01 +
Matrix / RunoutInner Ring: MADE IN GERMANY BY UNIVERSAL M & L YL
Mastering SID Code: IFPI L002
Mould SID Code: IFBI 01BR

Design - Unleashed
Edited By [Digital] - Claudio Cueni
Mastered By - Brian Gardner
Photography By [Cover Photos] - Fabrice Henssens

Made in the EU.

Second cat# printed on the back side of the booklet.

Track 1 mixed at Tracken Place, Hollywood, CA and recorded at QDIII Soundlab and CAN AM, Tarzana, CA
Track 2, 3, 14 mixed at Pacifique, North Hollywood, CA and recorded at CAN AM […] and Pacifique […].
Track 4 mixed at Larrabee North and recorded at Soulpower Studios and Westlake Studios.
Track 5 mixed at Record One and recorded at Pacifique […] and CAN AM […].
Track 6 mixed at Encore Studios, Burbank, CA and recorded at CAN AM […].
Track 7 mixed at Larrabee North and recorded at Sound Castle Studios, House Of Daz and CAN AM […].
Track 8 mixed at The Enterprise Studios, Burbank, CA and recorded at Tracks, North Hollywood, CA.
Track 9 mixed at Pacifique and recorded at CAN AM […].
Track 10 mixed at Record One and recorded at CAN AM […].
Track 11 mixed at The Enterprise Studios […] and recorded at CAN AM […].
Track 12 mixed at Pacifique […] and Barefoot Studios, Van Nuys, CA and recorded at QDIII Soundlab and CAN AM […].
Track 13 mixed at Encore Studios […] and The Enterprise Studios […] and recorded at CAN AM […].
Track 15 mixed at Record One and recorded at Quim & Reef's Room.

Track 9 contains an interpolation from "Genius Of Love" written by Adrian Belew, Chris Franz, Tina Weymouth adn Steven Stanley.
Track 12 contains an interpolation from "Love Ballad" written by Skip Scarborough.
Track 13 contains an interpolation of "Everybody Loves The Sunshine" written by Roy Ayers.

Release Country: Europe
Release Date: 1999-12

Shipping Methods:
UK RM packet post 1st item £2.49 add £0.50 per extra item
UK Tracked 1st item £4.00 add £0.50 per extra item
Europe Airmail 1st item £4.99 add £1.00 per extra item
Europe Tracked £8.00 add £1.00 per extra item
World Airmail £6.99 add £2.00 per extra item
World Tracked £10.00 add £2.00 per extra item
If you require any further information please contact us.

Return Policy:
All UK items are sent Parcel Post and Airmail is standard for overseas. For
extra protection Rix uses musicomax cruciform mailers (or equivalent) for
vinyl and Jiffy Bags for CDs.
Rixrecords operates a 14 day no quibble guarantee all we ask is you contact
us BEFORE returning an item and please state a reason if any. When the item
is returned safe and sound your original price and postage will be
refunded. (Return postage will not be refunded)
Although your item should be with within you much sooner please allow 21
days for delivery.
Please note that while every effort is taken to be as accurate as possible
we are human and if mistakes are made you are entitled to a full money back
guarantee inc return postage. However if for any reason you are not happy
with any product received please contact Rix.

Grading of Items:
Items are graded as Record Collector Standard
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

Powered by MusicStack