as if endorsing Spears' foray into come-hither posing and club-land beats. Nearly every song on In the Zone is a brittle, programmed rhythm track. This time, Spears promises to follow through on her come-ons: "I'll let you touch me if you want," she husks in the clever pop-dancehall "Showdown."
High-risk behavior is fine with Spears. In "Brave New Girl," she borrows Madonna's "Material Girl" to praise a girl who goes out to get picked up. Spears succumbs to sexy guys in "The Hook Up," "Breathe on Me," "(I Got That) Boom Boom" and "Early Mornin'," which has throbbing Moby production. And if there's no lover available, there's always "Touch of My Hand," an ode to masturbation.
But the harder Spears tries to be Madonna or Janet Jackson, the less convincing she is. Her voice is so processed, its physicality almost disappears. R. Kelly can't resist mocking her in his "Outrageous," letting her boast about "my sex drive" and "my shopping sprees" with equal emphasis. In the Zone offers strip-club, 1-900 sex, accommodating and hollow. Beyond the glittering beats, Spears sounds about as intimate as a blowup doll.
JON PARELES
(RS 937, December 11, 2003)
Two new songs and a pair from In The Zone, courtesy of the rapidly maturing diva. Forget all the tabloid gossip and "Britney's out of control" rumors, because when it comes down to it, all that matters is the music. As these bonus tracks demonstrate, Spears is just getting better and better. And hotter and hotter.
