guitar. Here's what's new: "Empty Spaces" is longer, the band added a piece of mood music called "The Last Few Bricks," the keyboards are more audible, and there's some crowd noise.
The Wall is still an effective piece of dramatic bombast, but this is the most pointless album of its kind since Depeche Mode's
Songs of Faith and Devotion Live. The real enhancements were the parts you can't hear. (RS 841)
DOUGLAS WOLK