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Lee, Laura

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Love More Than Pride

                 



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Format: LP     Want this on CD also?

Condition: VG+ COVER / VG+ LP (cover/media)    More Info
Label: Chess CH 50013
Country: Us
Released: 1972
Genre: soul
Num In Set: 1
Quantity: 1 in stock
Seller Ref:   2229

Laura Lee spent 1967- 69 signed to Chess, recording a string of seven singles for the label.    She enjoyed a couple of minor pop and R&B hits for the label, but in spite of the company's investment in her career, Lee never broke out.   Chess quickly lost interest in Lee and by 1969 she'd moved on to Atlantic's Cotillion subsidiary.   
Apparently looking to clean out their vaults and perhaps earn back a little on their earlier investments, 1972 saw Chess release "Love More Than Pride".    An eleven track compilation, the album pulled together a mixture of previously released "A" and "B" sides, as well as material that had been shelved.   The eleven tracks basically reflected two categories of material - tunes recorded in Chicago with producers Gene Barge and Cash McCall, and material recorded in Muscle Shoals with producer Rick Hall.    Exemplified by material like the title track, 'Mama's Got a Good Thing' and 'That's How It Is' the Chicago songs tended to have a bluesier feel.   Hall produced tunes like 'It Ain't What You Do ', 'Dirty Old Man', and 'It's How You Make It Good' were more soul oriented.   Lee's performances were good across bother categories, though I'd give the edge to the Rick Hall numbers.    There were plenty of highlights including
"Love More Than Pride" track listing:
(side 1)
1.) Mama's Got a Good Thing      (Ellington Jordan - Billy Foster) - 2:08
Serving as a nice introduction to Lee's wonderfully gritty voice, 'Mama's Got a Good Thing' was a little more hardcore soul that her singles for Hot Wax.   While that may have been a turnoff to some folks, coupled with a strong melody, this was a killer performance.   You had to wonder how it was relegated to being a "B" side on 1968's 'Love More Than Pride'.    rating: **** stars
2.) Another Man's Woman   (Gene Barge -   L. Jordan) - 2:37
Lee certainly had the chops to handle a bluesy, cheatin' hearts number like 'Another Man's Woman'.   The problem with this one was the song simply wasn't all that great.    You've heard this theme dozens of times before; virtually all more impressive than this one.    rating: ** stars
3.) It Ain't What You Do    (J. Hughes) - 2:10
The funky 'It Ain't What You Do' showcased that special Muscle Shoals sound, underscored by the Muscle Shoals Horns and a stinging Duane Allman guitar solo.    This was the genre Lee was made to work in.   Wonderful tune that I would have made a single.    rating: **** stars
4.) She Don't Love You    (Jerry Butler - Curtis Mayfield - C. Carter) - 2:36
I have to admit I originally didn't think much of Lee's country-tinged cover of this Butler-Mayfield classic.   And then out of the blue I realized my initial views were simply wrong.    Yeah, there was a distinctive country-feel here, but Lee's vocals were amazing and the combination of the Hammond B-3 and the neat little guitar refrain made this a keeper.    rating: **** stars
5.) It's All Wrong, But It's Alright   (M. Green - E. Hinton) - 2:41
' It's All Wrong, But It's Alright' marked a return to a bluesier, Chicago sound.    I've always liked Lee when she employed her deeper, huskier voice and this was a great example of that approach.    rating: *** stars
6.) I Need To Belong To Somebody    (Curtis Mayfield) - 2:22
The opening borrowed liberally from Mayfield's 'People Get Ready'.    Actually, the whole song bore a resemblance to that song ...   Since Mayfield wrote both of them, I guess it wasn't a case of plagiarism ...   This one had previously released as a single (with a slightly different title):
- 1968's 'Need to Belong' b/w 'He Will Break Your Heart' (Chess catalog number 2052)   # 44 R&B   rating: **** stars
(side 2)
1.) Dirty Old Man      (Bobby Miller) - 2:45
The kind of "gimmick" tune that Rufus Thomas would have flipped for ...   The sad thing about this one is there are a couple of generations that have never heard Lee's version, instead having to grow up with Josh Stone's lam

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Bad Cat Records

Bad Cat Records (Virginia, United States)

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