the latest kinks of his journey into full-fledged humanhood. Not since Brian Wilson has an L.A.-pop mastermind gotten such musical mileage out of wanting to be an ordinary guy, not realizing that his psychosexual freakitude is exactly what makes him one.
Make Believe kicks off with "Beverly Hills," the single that revisits the dork narrator of old Weezer songs like "My Name Is Jonas," ten years older but no wiser, graduating from comic books and twelve-sided dice to watching the E! channel. It's a thunderous tune, with an awesomely terrible 1970s wah-wah solo that must have been sampled from Jeff "Skunk" Baxter. The sad love songs that follow -- "We Are All on Drugs," "Hold Me" -- build on self-loathing hooks ("I know that I can be the meanest person in the world") and huge pop flourishes. The best is "Pardon Me." It sure is weird to hear Cuomo go back to his old "Buddy Holly" voice, summoning up all his strength to belt, "I apologize to you/And to anyone else that I hurt too." Um, Rivers, is this a twelve-step thing? Nobody's mad at you, honest. In fact, after listening to Make Believe, we love you more than evs.
Hear Weezer's new album, "Make Believe"
As you might expect, big, big chords and sing-song rhymes characterize the bulk of Make Believe. The wiry, Cars-esque sound of "This Is Such a Pity" provides a slight deviation from the norm, but for the most part this album's about Rivers Cuomo's increasingly revealing pop songs and the riffs therein.
