Soul Ii Soul - Volume Iii Just Right • CDs • Vinyl Records • LPs • Music Albums

squabbling grew louder. Musicians and dancers quit with dizzying speed, then Hooper left for more enticing projects like Björk and U2. Jazzie was alone.

Hooper's confident mixing of samples and rhythmic complexities was missed on the Jazzie-produced Vol. III: Just Right. He had fallen asleep at the wheel while acid jazz and trip-hop crept onto England's dance floors. Vol. V: Believe, a valiant effort considering the source, doesn't fail as miserably. But trite, warmed-over ballads like "Be a Man" and the haven't-I-heard-this-somewhere-before traditional R&B grooves of "Pride," "I Care (Soul II Soul)" and "Love Enuff" won't persuade anyone to stick around for long.

Yet gems emerge. The acid-jazz-inspired instrumentals "How Long," "Zion" and "Game Dunn" manage to charm (such numbers were more filler than propulsive entr'actes even on Vol. I). The Middle Eastern-flavored "Ride On" and "Sunday" show imagination; Jazzie still has an ear for the ladies: Charlotte Kelly and Penny Ford are warm-voiced stylists, and Caron Wheeler makes a welcome return.

But try as he might, Jazzie B can't persuade, er, fool, us again. Japan's acid-jazz king, DJ Krush, trip-hopper Tricky, American producer Dallas Austin and even Nellee Hooper have taken what positive things they could from Soul II Soul's carcass – the sudden but subtle tempo changes, the bold mixing of musical genres for effect, the use of offbeat instrumentation – for their own innovative purposes. (RS 720)

MARIE ELSIE ST. LÉGER