to sound a lot like that band's singer, Harriet Wheeler. The rainy-day arrangement and orchestration of "Goodbye" is dreamy and vaguely sad, like the downbeat musings of an otherwise pretty comfortable angel, although the songwriter may have intended the tune as an exhibit of soul-baring, raw introspection. Imbruglia's delicate, sweet and well-behaved singing isn't the ideal vehicle for expressing angst, even if most of these minor-chord, gray-skies anthems seem to be yearning to do just that. The result is a tune such as "Talk in Tongues," a half-unplugged, vaguely Beatlesque acoustic jam that merely seems bummed. Judging from all the mopey lyrics and bittersweet melodies, the singer meant for the album to be an Affecting Experience. But despite its immaculate odes to unhappiness, White Lilies Island itself is ear candy with about as much emotional resonance as Kathie Lee Gifford's latest televised crying jag.

PAT BLASHILL
(RS 892 - March 28, 2002)