Marianne Faithfull
Kissin' Time
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Marianne Faithfull's singing voice is like an open wound, a raw badge of suffering and self-examination that sounds best when the music gives Faithfull room to bleed. That happens on about half of Kissin Time, a set of collaborations with younger male admirers: Beck, ex-Smashing Pumpkin Billy Corgan, Pulp's Jarvis Cocker, the men of Blur. But the better half is superbly barbed pop, poisonous honey in the brutally honest tradition of her 1979 triumph, Broken English, and 1969's "Sister Morphine," Beck, surprisingly, blows it in the opener, "Sex With Strangers," swaddling in wet-blanket electronics Faithfull's parched rap about the momentary comforts of anonymous fucking. Corgan's
Read More New Romantic machines in "I'm on Fire" are also too pillowy and clean to bring the heat. But in "Wherever I Go," Corgan puts Faithfull in front of the song's creamy swing; you can feel the weariness seeping from the cracks in her voice. And Beck uses the medieval whisper of celesta and harmonium to frame Faithfull's candid family memories in "Like Being Born," a comely cousin of her 1964 hit "As Tears Go By." Faithfull reflects without flinching in "Song for Nico," an epitaph for the late Velvet Underground ice queen, and "Sliding Through Life on Charm," a graphic memoir largely written by Cocker through Faithfull's eyes. But the most chilling thing here is a cover of "Nobody's Fault," from Beck's Mutations: Faithfull pours every drop of her survivor's story into the song, while Beck arranges the shadows and light in the music with a sympathy and wonder for the great weight she will always bear. DAVID FRICKE
(RS 903 - August 22, 2002)
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