D - Dire Straits CDs • Vinyl Records • LPs • Music Albums

Straits is about, and it sounds like a good life.

But Knopfler isn't interested in writing songs with profound messages. In fact, the only time he tries it ("In the Gallery"), the message turns out to be a petulant attack on avant-gardism—i.e., a real yawn. No, Dire Straits get their effects by precise; well-played contrasts: the way a brisk bit of folk-rock is entitled "Sultans of Swing" and not only boasts an inescapable hook but also a goony, Bob Dylan-like snarl in its vocal. "Setting Me Up" sports a standard mangled-romance theme, but the verbiage is masticated by Knopfler's growling, annoyed singing, with a giddy country-guitar solo tacked on at the end. It's a heavenly number, funny and bitter.

Even when Mark Knopfler tends toward Bruce Springsteen-style street bathos in such miniepics as "Wild West End" and "Lions," his band keeps everything admirably straightforward. Dire Straits is one of those quietly subversive albums whose sober lucidity reeks of rapid obscurity. It doesn't deserve such a sad fate.

Ken Tucker is the rock critic for the 'Los Angeles Herald Examiner.' (RS 283)

KEN TUCKER

This 1978 debut sailed to No. 2 in the U.S. charts, thanks in part to the major FM hits "Sultans of Swing" and "Water of Love," making Dire Straits the only back to basics English pub rock act to score really big in the States. In part, this was because of Mark Knopfler's "J.J. Cale-meets-Dylan" song craft and stinging guitar lines show so much love for his American heroes and myths.