Faith is the message. Faith is the point. Faith is the key to understanding this record. Faith is finally all we have.
Because Bob Dylan had the power of insight and poetry early in his career, he became an article of faith himself. He gave so much identity and energy to so many people that eventually it could only blow up. And it did. Which was bitter, disappointing and confusing to a lot of people, including myself and, I think, also Dylan.
Within a very short period of time, forces came together that reversed Dylan's musical strength and social weight. They were events of all sorts—personal, professional, accidental: the inevitable pauses and doubts that come with age and
Read More
the kind of success Dylan had. There were the times themselves—long, depressing years in which we all became hopeless.
It takes only one listening to realize that Slow Train Coming (Columbia Records) is the best album Bob Dylan has made since The Basement Tapes (recorded with the Band in 1967 but not released until 1975). The more I hear the new album — at least fifty times since early July—the more I feel that it's one of the finest records Dylan has ever made. In time, it is possible that it might even be considered his greatest.
This claim will not go down easily, especially with all the "born again" clamor. So much emotion has become invested in Dylan's public image that the greater numbers of his critics and devotees torture themselves before they will put aside their previous definitions of him. In fairness, his followers have seen his work steadily weaken for almost a decade and have legitimate reasons to be extremely rigid.
In the Seventies, Dylan's situation turned almost paralytic, both for himself and his audience. Five or six superb songs weren't enough to overcome this long, stagnant interval of doubt and reconsideration. As the "spokesman" of a generation, Dylan created so many images and expectations that he narrowed his room for maneuverability and finally became unsure of his own instincts. Whatever his dilemmas, they were tied up in the social and political themes of the last ten years. In the hard times of confusion, just as in the easier times of conviction, Dylan continued to reflect society.
A broadly drawn historical perspective is the most valid way to consider Slow Train Coming, especially if it is important to understand the old-time religion and evangelism woven into these songs. Before anyone had even heard this album, the news that Dylan was doing a little Bible reading stirred up great winds of cynicism and distrust: a kind of controversy recalling the intensity of past debates about Dylan.
BOB Dylan has, at long last, come back into our lives and times, and it is with the most commercial LP he's ever released. Slow Train Coming has been made with a care and attention to detail that Dylan never gave any of his earlier records. The decision to take su
Dylan recorded Slow Train Coming one day after he found Jesus. Mark Knopfler played lead guitar on it. So there are two strikes against the album right away. But Dylan hadn't sounded this mean since he was a folkie and "Man Gave Names to All the Animals" is a great song. Sometimes you just listen to a Bob Dylan record whether it's good or not. You just have to.
